David Hare was born in Sussex in 1947. He is the author of twenty-nine plays for the stage, seventeen of which have been seen at the National Theatre. These include Plenty, The Secret Rapture, Amy's View, Gethsemane, The Power of Yes and South Downs. His many screenplays for cinema and television include Damage, The Hours and The Reader. He recently wrote and directed a trilogy of films for the BBC: Page Eight, Turks & Caicos and Salting the Battlefield.
"There are times in the theatre when you suddenly find yourself in the grip of silence. There is no fidgeting or coughing, no shifting about in seats: the audience's attention is so tense it is almost palpable. This is because it is both thrilling and dangerous: a fight to the death, or the dawning of salvation. David Hare's new play, Skylight, is punctuated by such moments. They are the signs that a dramatist of the first rank is writing at full stretch, in complete command of his material, undogmatic and unafraid, unforgiving and compassionate." (Sunday Times). Skylight was revived in a new production at the Wyndham's Theatre, London, in June 2014, which received the Evening Standard Revival of the Year Award.
##讀的時候越發覺得他們的錶演非常美好
評分 評分##權力對峙該怎麼寫?不同性彆,不同階級,不同意識形態陣營,本質是一樣的,大衛·黑爾比多數戲文係教授懂得如何傳授方法。
評分##讀的時候越發覺得他們的錶演非常美好
評分##everything revealed, but nothing changed.
評分A night like a skylight, changed nothing, revealed everything, and brought understanding.
評分 評分##天啊我不喜歡看劇本的,但是這個本給我看感動瞭......
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