David Hare was born in Sussex in 1947. He is the author of twenty-nine plays for the stage, seventeen of which have been seen at the National Theatre. These include Plenty, The Secret Rapture, Amy's View, Gethsemane, The Power of Yes and South Downs. His many screenplays for cinema and television include Damage, The Hours and The Reader. He recently wrote and directed a trilogy of films for the BBC: Page Eight, Turks & Caicos and Salting the Battlefield.
"There are times in the theatre when you suddenly find yourself in the grip of silence. There is no fidgeting or coughing, no shifting about in seats: the audience's attention is so tense it is almost palpable. This is because it is both thrilling and dangerous: a fight to the death, or the dawning of salvation. David Hare's new play, Skylight, is punctuated by such moments. They are the signs that a dramatist of the first rank is writing at full stretch, in complete command of his material, undogmatic and unafraid, unforgiving and compassionate." (Sunday Times). Skylight was revived in a new production at the Wyndham's Theatre, London, in June 2014, which received the Evening Standard Revival of the Year Award.
##“No more flowers.” "Why not?" "It isn't the same. The flowers were when you loved me. You and I were really in love. Now I don't want them." ?
评分##“No more flowers.” "Why not?" "It isn't the same. The flowers were when you loved me. You and I were really in love. Now I don't want them." ?
评分##至少结尾是温暖的。
评分 评分##天啊我不喜欢看剧本的,但是这个本给我看感动了......
评分##权力对峙该怎么写?不同性别,不同阶级,不同意识形态阵营,本质是一样的,大卫·黑尔比多数戏文系教授懂得如何传授方法。
评分##"Taking down the stars from the sky." 读完意识到把一部戏的神韵搬上舞台是件多不容易的事。
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