具体描述
Stephen Owen is James Bryant Conant University Professor, Emeritus, at Harvard University.
“Song Lyric,” ci, remains one of the most loved forms of Chinese poetry. From the early eleventh century through the first quarter of the twelfth century, song lyric evolved from an impromptu contribution in a performance practice to a full literary genre, in which the text might be read more often than performed. Young women singers, either indentured or private entrepreneurs, were at the heart of song practice throughout the period; the authors of the lyrics were notionally mostly male. A strange gender dynamic arose, in which men often wrote in the voice of a woman and her imagined feelings, then appropriated that sensibility for themselves.
As an essential part of becoming literature, a history was constructed for the new genre. At the same time the genre claimed a new set of aesthetic values to radically distinguish it from older “Classical Poetry,” shi. In a world that was either pragmatic or moralizing (or both), song lyric was a discourse of sensibility, which literally gave a beautiful voice to everything that seemed increasingly to be disappearing in the new Song dynasty world of righteousness and public advancement.
用户评价
談不上解構，只是揭示「推尊詞體」的儒教詩學之外另一種線索，所謂早期小令「表演性、歸屬不確定性」，古之詞論者並非不知，著意迴避而已。小晏一段略見人文關懷，儼然馬賽爾與賈寶玉即視感，“For all their training in how to feign emotion, they too could love and be hurt. They were, after all, only young teenagers.” 接著引「幾換青春，倦客紅塵。長記樓中粉淚人」，不正是「各人有各人應得的眼淚」。
评分 评分看至一半，思绪万千，千头万绪，落笔无言。唐末五代，至宋两分。词为诗余，渐为正宗。乐章柳永，史本无踪。淫词艳曲，嫁祸文忠。南朝王谢，宋余二晏，尤喜叔原。不取功名，辞章华丽，不见苏轼，羞辱蔡京。 看了一半，似无甚资格写书评。但又想把书评写的早写，以占先机。读了19...
评分 评分 评分 评分 评分##此书很好地阐发了早期词作的传播，将小令视作士人宴饮的助兴曲，而柳永慢词则创作于更为市井的勾栏瓦肆，把早期词集在一定程度上视为曲目库(repertoire)。苏轼以后词作发展的关键是词从音乐实践变成可供案头阅读的文学体裁，而12世纪的印刷文化起到了助推作用。本书最大的问题是第二章讨论词的起源，作者指出文本形式不是歌唱形式，唐代歌诗虽然文本上表现为齐言，但实际唱的时候却是长短错落；作者进一步认为，之后出现的长短句实际上是一种转录实践(transcription practice)，当时的人忠实记录下歌词的长短句式，而不再修整为齐言诗——这个猜想仅就文本看问题，却忽略了音乐本身，歌词从齐言变为长短句更核心的实质是由音乐体系的变革。结语点出日后词之雅化与通俗文学二途，将其置于道学大背景中，看得很透。 果然。在這部講宋詞的書裡。宇文所安仍然不斷懷疑已知的東西。或者說是從以為的已知中去探尋未必如此的證據。雖然大多數的推測也不會有必然的結果。然而似乎就是這時時出現的一疑一問之間。宇文所安成為了宇文所安。 比如。他發現五代至北宋初期之際真正問世的個人詞集很少。只...
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