具體描述
用戶評價
##七十年代的日本文化圈，比較熟悉的有寺山修司、黑澤明和三島由紀夫，還有寶塚和淺草。作為一個gaijin，作者遺憾自己始終不能融入日本社會，最終選擇離開。但反觀西方人寫日本或東亞，大多也帶著獵奇濾鏡，エロ、グロ、ナンセンス，彼此彼此吧。就像書裏有句話說的：we were both gaijin for life.and we felt safer together.
##It was at an age even younger than the then Buruma when I sensed that my own destiny waiting ahead is what he said, to be déraciné is to be on the road forever. But I also couldn’t help thinking how his whiteness promised this kind of freedom of being a gaijin forever.
##Nothing too profound, but Buruma writes well, a globalized form of good English. Interesting anecdotes about an era that I know little of.
##Nothing too profound, but Buruma writes well, a globalized form of good English. Interesting anecdotes about an era that I know little of.
##透過Buruma的外人視角反思瞭自己作為外人在他國文化中的身份。最後看到他還是離開日本瞭，有點難過。maybe I’m also just looking from the wrong window
##想象的鄉愁
##一個西方人眼中的70-80年代日本文藝圈。
##在日本逗留的時間可能很短，應該找些有趣的事情做！
##融入。有點漂浮。