Francoise Barbe-Gall studied history of art at the Sorbonne and also at the Ecole du Louvre, where she now teaches. She also directs an association called CORETA (Comment Regarder un Tableau), for whom she gives many lectures. She is regularly called upon to participate in management workshops, where her experience of analysing images in relation to publicity and marketing is called upon. Editions de l'Agenda de L'Empresa have published a collection of her articles, and she is the author of several articles on the work of the sculptor Tom Carr. She is the author of How to Talk to Children about Art and How to Understand a Painting, both published in English by Frances Lincoln.
Choosing ten symbols from the natural world (the sun, the shell, the bird) and ten man-made (the window, the book, the mirror), Françoise Barbe-Gall illuminates our understanding of how these have been used and developed in art from the fifteenth to the twenty-first century, with sixty-eight wonderfully vivid examples.
Painting has always made abundant use of forms and objects to convey abstract ideas: love, hope for eternal life, loyalty or betrayal. These recurring motifs, which were familiar to many in the past, have mostly become mysterious to the audiences of today. Today's art-lover will have to learn to look out for all the small things that can so easily seem like unimportant details, or simply decoration. But a flower, a reflection in a mirror or a bird in flight nearly always mean more than they first appear to.
From Holbein's apple of knowledge to the black cat at the foot of Manet's Olympia, from Magritte's mysterious candles to Georgia O'Keeffe's flowers, this book shows how each work makes use of the language of symbols in an original and more meaningful way.
##不想當藝術符號學傢的宗教畫傢不是一個好闡釋學傢。 我不是學繪畫的,也不瞭解西方宗教,到現在為止甚至沒有去過什麼像樣的畫展或者博物館展覽。西方繪畫裏,除瞭實在是名聲太響亮、普及率太高的名傢名作,從作者到繪畫技法再到內涵錶達,基本一無所知。即使如此,...
評分 評分 評分##/兒歌 每一種藝術都不是那麼高不可攀,晦澀難懂,自然美術也不例外。藝術取自生活源自生活,並且服務於生活,高於生活。油畫傢用丹青妙手攥著一支神奇畫筆...
評分 評分審美不是本能,審醜纔是本能。如果這世上真的有美存在,那麼我們需要能夠發現它。 曾幾何時,我對所謂的名畫嗤之以鼻,比如梵高那副著名的嚮日葵,當然這其中大概有吃不到葡萄就說葡萄酸的緣故。而後隨著年齡的增長,又覺得名畫自有其生命力,心中覺得好,嘴上卻說不齣個所以...
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