## Part One: The Art of Dialogue
* Chapter One: The Full Definition of Dialogue
* Chapter Two: The Three Functions of Dialogue
* Chapter Three: Expressivity I: Content
* Chapter Four: Expressivity II: Form
* Chapter Five: Expressivity III: Technique
## Part Two: Flaws and Fixes
* Introduction: Six Dialogue Tasks
* Chapter Six: Credibility Flaws
* Chapter Seven: Language Flaws
* Chapter Eight: Content Flaws
* Chapter Nine: Design Flaws
## Part Three: Creating Dialogue
* Chapter Ten: Character-Specific Dialogue
* Chapter Eleven: Four Case Studies
## Part Four: Dialogue Design
* Chapter Twelve: Story/Scene/Dialogue
* Chapter Thirteen: Balanced Conflict (THE SPOPRANOS)
* Chapter Fourteen: Comic Conflict (FRASIER)
* Chapter Fifteen: Asymmetric Conflict (A Raisin in the Sun)
* Chapter Sixteen: Indirect Conflict (The Great Gatsby)
* Chapter Seventeen: Reflexive Conflict (Fraulein Else and The Museum of Innocence)
* Chapter Eighteen: Minimal Conflict (LOST IN TRANSLATION)
* Chapter Nineteen: Mastering the Craft
· · · · · · (收起)
* Chapter One: The Full Definition of Dialogue
* Chapter Two: The Three Functions of Dialogue
* Chapter Three: Expressivity I: Content
* Chapter Four: Expressivity II: Form
* Chapter Five: Expressivity III: Technique
## Part Two: Flaws and Fixes
* Introduction: Six Dialogue Tasks
* Chapter Six: Credibility Flaws
* Chapter Seven: Language Flaws
* Chapter Eight: Content Flaws
* Chapter Nine: Design Flaws
## Part Three: Creating Dialogue
* Chapter Ten: Character-Specific Dialogue
* Chapter Eleven: Four Case Studies
## Part Four: Dialogue Design
* Chapter Twelve: Story/Scene/Dialogue
* Chapter Thirteen: Balanced Conflict (THE SPOPRANOS)
* Chapter Fourteen: Comic Conflict (FRASIER)
* Chapter Fifteen: Asymmetric Conflict (A Raisin in the Sun)
* Chapter Sixteen: Indirect Conflict (The Great Gatsby)
* Chapter Seventeen: Reflexive Conflict (Fraulein Else and The Museum of Innocence)
* Chapter Eighteen: Minimal Conflict (LOST IN TRANSLATION)
* Chapter Nineteen: Mastering the Craft
· · · · · · (收起)
具体描述
用户评价
评分
##一本不如一本了
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##理论分析为主，没有《故事》的实质帮助大。全书是对最后的问题清单的阐述。
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##非常好！受益匪浅！ 待笔记
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##理论分析为主，没有《故事》的实质帮助大。全书是对最后的问题清单的阐述。
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##非常开眼界! 生动饱满的人物根植于于丰富的角色心理设计和翔实可信的背景 喜欢用同一段文本示范小说/影视/舞台剧不同句式语体的部分 除了雕琢台词用字之外 要充分调度潜台词来辅助戏剧冲突 同意若是没有好的故事支撑 再好的文字也是空中楼阁! 核心词靠近段落末尾会使得对白接续更加流畅 这个真的学到了 看剧的时候不自觉验证 发现写得好的本子的确暗合这样的原则 最后想采访一下菲姐 你晓得你的剧写得这么有层次么哈哈哈哈!
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##一本不如一本了
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##也不错。这本和your screenplay sucks!一样，说要多读。罗伯特麦基有内功，不是速成的书。
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##也不错。这本和your screenplay sucks!一样，说要多读。罗伯特麦基有内功，不是速成的书。
##收藏一下豆友@北溟鱼的评论：写得比《故事》好，更细节化更hands-on,但是呢，跟着学，到顶了也就是电影工厂流水线的工人，都是程式化极强的规则，有些技巧写多了自己就能想出来，不用他讲，有些规则恰恰是因为反其道而行之而造就了杰作。