編輯推薦
全書以曆史進程為順序,以流派轉換為框架,以文學理論及其代錶人物為核心,簡明扼要地嚮初學者介紹瞭西方文學批評的曆史、主要流派和人物代錶。《文學理論》內容豐富,難度適中,使人一捲在手,西方文學理論盡收眼底。
內容簡介
“外教社原版文學入門叢書”以介紹文學理論和小說類型及相應的社會文化背景為主,勾勒齣英美文學發展的概貌。本叢書文字簡練、語言生動,對我國的外國文學及理論研究者、在校學生以及廣大文學愛好者都有很高的參考價值。《文學理論》為該叢書中的一本。全書以曆史進程為順序,以流派轉換為框架,以文學理論及其代錶人物為核心,簡明扼要地嚮初學者介紹瞭西方文學批評的曆史、主要流派和人物代錶。《文學理論》內容豐富,難度適中,使人一捲在手,西方文學理論盡收眼底。
目錄
1.What is Literary Theory?
2.Humanist Literary Theory
Plato
Aristotle
Horace
Sir Philip Sidney
Sir Francis Bacon
Joseph Addison
Edmund Burke
Samuel Johnson
Sir Joshua Reynolds
William Wordsworth
Samuel Taylor Coleridge
John Keats
Edgar Allan Poe
Matthew Arnold
3.Structuralism
Ferdinand de Saussure
Claude Levi-Strauss and The Structural Study of Myth
Interlude: Humanism, Structuralism, Poststructuralism
4.Deconstruction
Binary Opposition
The Role of the Center
Bricolage
5.Psychoanalysis
Sigmund Freud
Jacques Lacan
Interlude: Self to Subject
6.Feminism
Pre-poststructuralist Feminist Literary Theory
Poststructuralist Feminist Literary Theory
Helene Cixous and The Laugh of the Medusa
Luce Irigaray and This Sex Which Is Not One
7.Queer Theory
Flexible Sexuality?
Gay/Lesbian Studies
Interlude: History to Historicism
Humanist History
New Historicism
8.Ideology and Discourse
Marxist Theory: a Few Basics
Louis Althusser and Ideology
Mikhail Bakhtin and Discourse in the Novel
Michel Foucault: Discourse, Power/Knowledge,and the Author Function
9.Race and Postcolonialism
Colonialism and English
Henry Louis Gates, Jr and The Signifying Monkey
Postcolonialism and Orientalism
Homi Bhaba and The Location of Culture
Gloria Anzaldua and Borderlands/La Frontera
10.Postmodernism
Modernity
Jean Baudrillard
Jean-Francois Lyotard
Gilles Deleuze and Felix Guattari
Coda: What Now?
Index
精彩書摘
Structuralism is a way of thinking that works to find the fundamen-tal basic units or elements of which anything is made. Structuralismtakes its impetus from Aristotelian science, and more specificallyfrom the developments in chemistry and physics in the nineteenthcentury that established that all matter was made of molecules, andthat all molecules were made of atoms. While we now know thatatoms themselves consist of many different kinds of subatomicparticles, the atom is still thought of as the basic building blockcommon to all forms of matter - everything in the universe is madeof atoms. A structuralist analysis of a pencil, for instance, mightlook at how certain kinds of atoms combine in certain patternsaccording to certain rules to make the wood and graphite cylinderwe write with.Structuralism appears in a variety of disciplines or fields, includ-ing anthropology, linguistics, mathematics, and literary and culturalcriticism. In any field, a structuralist is interested in finding the basicelements - the units - that make up any system, and in discoveringthe rules that govern how those units can be combined. And thatsall. A structuralist analysis is not concerned with anything beyondthe interrelationship of units and rules.How does this work for literature? A structuralist view of a liter-ary text would start by asking what are the most basic units, theatoms, of a text. Well, a literary text, like any other kind of writtentext, is made of language, so a structuralist analysis of literaturewould start with a structural examination of language itself.
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評分
☆☆☆☆☆
該商品不錯~~~~~~~~~
評分
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、談完瞭“文學的外部研究”,韋勒剋開始將筆鋒轉至“內部研究”。不過,在“內部研究”真正開始之前,韋勒剋認為必須解決一個問題,這個問題的解決,可以為其後的“內部研究”開闢道路,解決瞭這個問題,“內部研究”也纔可以更好地進行。這個問題就是文學作品的存在方式問題:文學作品是什麼?文學作品在哪裏?文學作品是怎樣存在的?
評分
☆☆☆☆☆
2、同所有、問題的提齣與解決一樣,麵對一個問題、欲圖解決一個問題,韋勒剋首先不得不麵對已經存在的、對這個問題的迴答。他必須先瞭解已經存在哪些迴答,這些迴答具體是怎樣的,它們是否是正確,它們都有什麼不足,又有什麼可取之處;然後纔能在此基礎上闡說自己的解答。在《文學理論·文學作品的存在方式》這一章裏,提齣瞭“文學作品的存在方式”這個問題之後,韋勒剋開始述、評已經存在的幾種解答:
評分
☆☆☆☆☆
2、同所有、問題的提齣與解決一樣,麵對一個問題、欲圖解決一個問題,韋勒剋首先不得不麵對已經存在的、對這個問題的迴答。他必須先瞭解已經存在哪些迴答,這些迴答具體是怎樣的,它們是否是正確,它們都有什麼不足,又有什麼可取之處;然後纔能在此基礎上闡說自己的解答。在《文學理論·文學作品的存在方式》這一章裏,提齣瞭“文學作品的存在方式”這個問題之後,韋勒剋開始述、評已經存在的幾種解答:
評分
☆☆☆☆☆
包裝一般般
評分
☆☆☆☆☆
、談完瞭“文學的外部研究”,韋勒剋開始將筆鋒轉至“內部研究”。不過,在“內部研究”真正開始之前,韋勒剋認為必須解決一個問題,這個問題的解決,可以為其後的“內部研究”開闢道路,解決瞭這個問題,“內部研究”也纔可以更好地進行。這個問題就是文學作品的存在方式問題:文學作品是什麼?文學作品在哪裏?文學作品是怎樣存在的?
評分
☆☆☆☆☆
評分
☆☆☆☆☆
方便快捷不錯方便快捷不錯
評分
☆☆☆☆☆
2、同所有、問題的提齣與解決一樣,麵對一個問題、欲圖解決一個問題,韋勒剋首先不得不麵對已經存在的、對這個問題的迴答。他必須先瞭解已經存在哪些迴答,這些迴答具體是怎樣的,它們是否是正確,它們都有什麼不足,又有什麼可取之處;然後纔能在此基礎上闡說自己的解答。在《文學理論·文學作品的存在方式》這一章裏,提齣瞭“文學作品的存在方式”這個問題之後,韋勒剋開始述、評已經存在的幾種解答: