序言:西方的直接电影与中国的纪实主义...........................................................王迟(1)
Preface:Western Direct Cinema and Chinese Jishiism
上编
Part One
理论视野:反思直接电影
Theoretical Perspectives:Rethinking Direct Cinema
“这种主客观之争全都是胡扯”——关于直接电影的另一种修辞.............Brian Winston(3)
“T his ObjectiveSubjective Stuff Is a Lot of Bullshit”:An Alternative Rhetoric of Direct Cinema
直接电影之外——安东尼奥与 70 年代新纪录片.............................Thomas Waugh(13)
Beyond Verite:Emile de Antonio and the New Documentary of the Seventies
纪录片、现实主义和女性电影 ....................................................... Eileen McGarry(34)
Documentary, Realism and Women’s Cinema
直接电影中作为一种风格的现实主义
——对影片《党内初选》的批判性考察 ................................................Jeanne Hall(49)
Realism as a Style in Cinema Verite:A Critical Analysis of Primary
纪实不是真实.................................................................................................钟大年(80)
Jishiism Is Not the Truth
素材的含义与直接电影霸权..............................................................................王迟(92)
The Meaning of Film Material and the Hegemony of Direct Cinema
关于非虚构的真实 .........................................................................Michael Renov(106)
The Truth About NonFiction
现实主义、哲学和纪录片...................................................................... Ian Aitken(120)
Realism, Philosophy and the Documentary Film
下 编
Part Two
个案研究:弗雷德里克·怀斯曼
Case Studies:Frederick Wiseman
怀斯曼的纪录片——理论与结构......................................................... Bill Nichols(141)
Frederick Wiseman’s Documentaries:Theory and Structure
持摄影机的怀斯曼 .........................................................................Barry K. Grant(167)
The Man with a Movie Camera
怀斯曼 IDFA 谈自己 50 年的创作方法 .............................................Damon Wise (209)
Wiseman’s Talking about His Fifty Years Filmmaking Methods at IDFA
尼克·弗特采访怀斯曼
——《动物园》、影片创作和社会变革............................................... Nick Forte (214)
Nick Forte’s Interview with Wiseman:Discusses Zoo, Filmmaking and Social Change
罗伊·列文采访怀斯曼 ...................................................................... G. Roy Levin(217)
G. Roy Levin’s Interview with Wiseman
“谜中谜之谜”——怀斯曼与公共电视 ...............................................Brian Winston(234)
“A Riddle Wrapped in a Mystery Inside an Enigma”: Wiseman and Public Television
论“怀斯曼神话”
——对中国 90 年代纪录片史的重识 ..............................................................王迟(260)
On “Wiseman Myth”:A Restoration of the Nineties Chinese Documentary History
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