内容简介
Celebrate the warm and loving bond between mothers and children — of all kinds. As a child makes a Mother's Day card, various animal mothers are shown taking care of their young.
作者简介
Marion Dane Bauer is the author of many books for young readers, including the Newbery Honor book On My Honor and the New York Times bestseller My Mother Is Mine. Her other titles include A Mama for Owen, If You Were Born a Kitten, Grandmother's Song, and Thank You for Me! She has recently retired from the faculty of the Vermont College of Fine Arts MFA program in Writing for Children and Young Adults where she was the first Faculty Chair. She lives in Eden Prairie, Minnesota, and can be reached at mariondanebauer.com.
内页插图
精彩书评
Publishers Weekly Bauer (If You Were Born a Kitten) and Elwell (Three Brave Women) explore the depths, delights and ferocity of the mother-child bond and for the most part, their foray into unabashed emotion works well. Bauer's rhymed text brings to mind the poignant vulnerability of a mash note from a young child: "My mother is pretty./ My mother is brave./ My mother still loves me when I misbehave." But because the sentences are parceled out one per page, the effect is never cloying. Elwell's stunning, diaphanous pastel illustrations flirt with the conventions of calendar art: his characterizations are mostly grounded in a realistic appreciation of the natural world, but the gauzy surfaces and the intensity of the animals' expressions are the stuff of pure romanticism. A tiger mother beams with pride as she carries her pliant cub by the scruff of the neck; a vigilant mother horned owl is regarded with utter adoration by her little puffball baby. Unfortunately, the final sequence, showing a girl creating a greeting card for her mother, lacks the intensity of the animal illustrations; the child's expressions seem a bit clich d. An actual card bearing the same illustration as that on the girl's is included inside the back cover. Ages 1-5. (Apr.) Copyright 2001 Cahners Business Information. Publishers Weekly "Author and artist explore the depths, delights and ferocity of the mother-child bond, and their foray into unabashed emotion works well," wrote PW. Ages 1-5. (Apr.) Copyright 2004 Reed Business Information. Fewer Reviews Children's Literature In a brief sentence for each two-page spread, children of various species tell something special about their mothers. There are rhymes along with the love expressed in these simple statements—"She holds me tight." "She never forgets to kiss me good night." This book is meant for reassuring reading and re-reading in a comfortable relationship. Elwell's naturalistic illustrations are simple scenes of each pair, including a young girl at the end, created with a fuzzy warmth that reinforces the text's message. The creatures are not named, but their identification could be part of the shared reading with pre-schoolers. A greeting card with one of the rhymes is included. 2001, Simon & Schuster Books for Young Readers, $13.00. Ages 2 to 5. Reviewer: Ken Marantz and Sylvia Marantz School Library Journal PreS-Gr 1-This book captures the warmth of a mother-child relationship in verse and illustrations. Each spread features a full-page picture of a baby animal interacting with its mother, along with a page of text explaining what makes that parent special. "My mother is soft" appears opposite two sheep cuddled together; "My mother is strong" shows a tiger carrying her cub in her mouth; and two owls sitting together on a branch illustrate "My mother watches me long and long." Young children will recognize the parallels between their own families and those of the animals, as a baby bird is given a worm ("My mother feeds me"), and a kangaroo rides safely inside its mother's pouch ("She holds me tight"). The soft focus of Elwell's pastel illustrations is well suited to the gentle rhythms of the text. The end of the book reveals a young girl drawing pictures of the animals, making a card for her mother with the inscription: "My mother is special./My mother is fine./My mother,/my mother,/my mother is mine!" A welcome addition to Mother's Day collections and family storytimes.-Linda Ludke, London Public Library, Ontario, Canada Copyright 2001 Cahners Business Information. Kirkus Reviews In a sweetly sentimental ode to motherhood, with a gently rhyming text, Bauer (Grandmother's Song, 2000, etc.) extols the virtues of Mom, as seen through the eyes of a bevy of animal babies. The infants' encomiums reflect the distinct attributes of their particular species; a tiger cub's mother is strong while a ewe is soft, and a giraffe's mom is "tall and tall and tall." Bauer's simple text is a celebration of the multitude of tiny acts that define motherhood: loving hugs, watchful care, goodnight kisses. Elwell's softly hued, pastel illustrations radiate warmth; slightly blurred images artfully reflect the loving bonds between mother and child, regardless of the species. Each two-page spread contains an accolade printed in oversized text on a delicately colored background rendered in a palette of twilight colors: translucent lavender, soft sage, luminescent blue. On the facing page is a full-color, full-bleed illustration depicting a different mother and child. Elwell's studies encompass an array of animal life, both domestic and wild, featuring docile sheep, howling wolves, and leaping kangaroos, culminating in a tender portrayal of a human mother/daughter pair. This reverent tribute to a mother's devotion also serves to remind mothers of the extraordinary way their children perceive them. An inviting tale: just perfect for cozy moments and quiet read-alouds. (Greeting card included) (Picture book. 1-5)
前言/序言
好的,这是一份关于一本假想的、不包含《My Mother Is Mine》内容的图书简介,尽可能详细、自然,避免任何AI痕迹。 --- 书名:星尘的低语:宇宙的边缘与孤独的探寻 作者:艾莉森·维斯特伍德 类型:科幻/太空歌剧/哲学思辨 出版社:银河之扉文化 页数:约 680 页 装帧:精装,附赠星图插页 --- 内容提要 《星尘的低语》并非一个关于家庭纽带或亲情回归的故事,它是一部宏大、深邃且极度个人化的太空史诗,探讨了存在、记忆的碎片化,以及在广袤无垠的宇宙中,个体寻求“家园”定义时的绝望与升华。 故事设定在“大寂静”时代——人类文明已跨越数千光年,散布于上百个殖民星系,但核心的母星地球已成为一个遥不可及的神话。技术的奇点并未带来统一,反而催生了更深的隔阂与更精致的孤独。 主角的旅程:流浪的信号接收者 主角是卡西乌斯·雷恩,一位居住在“边缘带”——一个由废弃空间站和不稳定的跃迁点构成的星际贫民窟——的信号工程师。卡西乌斯并非英雄,他是一个被文明放逐的“倾听者”。他的工作是维护那些古老的、几乎被遗忘的深空通讯阵列,这些阵列原是为了搜寻外星智慧而设立,如今却只捕捉到宇宙背景辐射的嗡鸣。 然而,在一个寻常的轮班中,卡西乌斯截获了一个异常清晰、结构复杂的信号。它不是任何已知文明的编码,也不符合任何已知的物理定律。这个信号,被他命名为“挽歌”(The Elegy),像一串幽灵般的音乐,直击他记忆深处最脆弱的部分。 记忆的迷宫与身份的重塑 “挽歌”的出现,彻底打破了卡西乌斯对自身身份的认知。他开始经历前所未有的、极度真实的闪回——不是他对往事的记忆,而是对他从未经历过的事物的感知。他“看到”了远古的海洋,感受到了引力坍缩的恐惧,甚至体验了某种超越人类情感的、纯粹的、冰冷的逻辑。 这部小说的主线,便是卡西乌斯试图追踪信号的源头,同时分辨出哪些记忆是他的真实经历,哪些是“挽歌”强加给他的“存在碎片”。他发现,这个信号似乎与一个传说中的、在数千年前失踪的“原初方舟”有关——一个承载着人类文明最早期哲学思辨和生物工程蓝图的移动图书馆。 宏大的世界构建与哲学内核 维斯特伍德构建了一个令人窒息的未来世界。读者将穿越: 1. “玻璃蜂巢”阿卡迪亚: 一个完全由人工智能管理的生态穹顶城市,那里的居民通过神经链接共享“完美”的集体意识。卡西乌斯必须潜入这个秩序井然的囚笼,寻找关于原初方舟失踪的官方记录。这里的哲学冲突在于:效率与自由、共享感知与个体痛苦的价值。 2. “熵之海”: 位于两个星系之间,充斥着亚空间乱流和时间扭曲的死亡地带。卡西乌斯为了躲避追踪者——一个致力于维护“大寂静”稳定性的秘密组织“时间守护者”——不得不穿越此地。在这里,时间的概念变得弹性十足,他可能在一天之内经历数年的孤独旅程。 3. 被遗忘的哨站“涅墨西斯”: 信号的最终指向地。这是一个漂浮在星系边缘的巨型废弃结构,由某种未知材料构成,其内部结构似乎在不断地进行自我重组。在这里,卡西乌斯将面临的不是外星生物,而是关于“意识上传”的终极伦理困境。 核心冲突:定义“自我”的边界 本书的核心冲突是关于“自我”的脆弱性。卡西乌斯发现,“挽歌”不仅仅是一个信号,它更像是一种信息病毒,一种关于存在意义的哲学性感染。他必须决定:是切断连接,回归他那卑微但属于自己的孤独;还是完全拥抱这些外来的、宏大的“记忆”,成为一个集合意识的载体,从而放弃个体身份? 《星尘的低语》深入探讨了“我是谁?”这一古老的问题,将其置于星际尺度下进行拷问。它审视了人类对“家园”的执念,并质疑:当所有的地理坐标都变得无关紧要时,剩下的,究竟是灵魂的本质,还是仅仅一串可以被重写的数据流? 为何阅读本书: 这不是一本提供简单答案的太空冒险小说。它要求读者放慢脚步,沉浸在冰冷的星空下,感受那种深刻的、令人敬畏的寂寥。维斯特伍德的笔触细腻而富有张力,她的科幻设定是冰冷的骨架,而支撑其上的,是对人类在宇宙中微不足道之地位的深刻反思。对于那些喜欢沉浸式世界构建、对硬科幻背后的哲学思辨感兴趣的读者来说,这是一次不容错过的、关于探寻自身边界的史诗旅程。它会让你在合上书页后,依然凝视夜空,思考你此刻拥有的记忆,究竟来自何方。 ---
当我第一眼看到这个书名,一种强烈的共鸣就涌上心头。 “My Mother Is Mine”——这不仅仅是一句话,它是一种宣言,一种属于孩子最纯粹、最直接的情感表达。我迫不及待地想知道,这本书是如何将这份深刻的、带有占有欲却又充满爱的关系,用一种孩子能够接受且喜欢的方式呈现出来的。 从“平装”和“1岁及以上”这两个关键词,我脑海中立刻浮现出一幅画面:一个年幼的孩子,小小的手指笨拙地翻动着书页,脸上带着专注和喜悦。这本书一定是为他们量身打造的,材质安全,设计精良,能够经受住他们的小手反复的触摸和探索。而对于一岁及以上的小朋友来说,他们正处于一个对世界充满好奇、对亲情有着最原始需求的阶段。 我猜想,这本书的文字一定会非常简洁,却又饱含深情,能够用最直白的方式,传递出母女之间那种不可分割的羁绊。也许是通过孩子眼中的世界,一切都是母亲的影子;也许是通过孩子稚嫩的语言,表达出对母亲的依赖和依恋。而插画,我坚信一定是色彩鲜艳、温暖而富有童趣的,能够牢牢抓住孩子的注意力,让他们在欣赏美的同时,也在潜移默化中接受书中传递的情感。 “My Mother Is Mine”——这句话,我认为它不仅仅是告诉孩子“母亲是属于你的”,更是在悄然地引导他们去理解,这份“属于”背后所蕴含的责任、爱与被爱。它可能在传递一种信息:母亲的爱如同阳光雨露,滋养着孩子的成长,而孩子也需要用自己的方式去回应这份爱。 这本书,我感觉它会是一种非常棒的亲子共读材料,它能够激发孩子表达情感的勇气,也能让家长更深刻地理解孩子内心深处的渴望。它不仅仅是一本故事书,更是一份爱的传承,一份对母女之间独特情感的致敬。