Clay Jensen returns home from school to find a mysterious box with his name on it lying on his porch. Inside he discovers cassette tapes recorded by Hannah Baker–his classmate and crush–who committed suicide two weeks earlier. On tape, Hannah explains that there are thirteen reasons why she decided to end her life. Clay is one of them. If he listens, he'll find out how he made the list. Through Hannah and Clay's dual narratives, debut author Jay Asher weaves an intricate and heartrending story of confusion and desperation that will deeply affect teen readers.

作者简介

Jay Asher JAY ASHER has worked at an independent bookstore, an outlet bookstore, a chain bookstore, and two public libraries. Jay's first writing award earned him a free fruit smoothie every day for an entire year. More recently, Thirteen Reasons Why won him the Smartwriters.com Write-It-Now Award, and the 2003 SCBWI Work in Progress grant. He was also named one of the "Hot Men in Children's Literature" by the librarian-run website A Fuse 8 Production.

精彩书评

From Barnes & Noble Two weeks before the events of this book, young Hannah Baker killed herself, but she left behind a sort of audio will that explained her reasons for taking her life. Each of those thirteen reasons involves cruel acts, misunderstandings, or guilty acts of omission that involve other students. Almost from the moment of its 2007 publication, Jay Asher's debut novel Thirteen Reasons Why has evoked widespread praise for its moving portrayal of the impact we have on one another's life. This international bestseller is now a paperback and a NOOKbook. (P.S. Teen sensation Selena Gomez has signed on to star in a Universal Pictures film version of this story.) Booklist ...compelling reading More Reviews (4) Fewer Reviews Jennifer Lee Clay receives a mysterious brown-wrapped package in the mail. When he opens it, he finds a handful of cassette tapes. After finding a cassette player (because, heck, it is 2007, who uses cassette players anymore?) he pops in cassette No. 1 and is shocked to find that his classmate, Hannah, is speaking on the tapes. . . . Hannah had killed herself just weeks before the package's arrival. As Clay listens, he finds that anyone who receives the package is one of the 13 reasons Hannah committed suicide. This page-turner will keep you up all night, as Clay pops in cassette after cassette, to find out what his role is exactly in Hannah's death. Could he really be somewhat responsible? You won't regret reading this book, and it won't take you very long. It is a fast read and will keep you on the edge of your seat, as you read on to find out more about the circumstances surrounding Hannah's death. Reviewer: Jennifer Lee VOYA Listening to the audio cassettes found propped against his front door, Clay is shocked to hear the voice of Hannah, who killed herself two weeks earlier. On the tapes, Hannah explains why she committed suicide and how the thirteen people named in the tapes contributed to her decision to end her life. Clay learns that he is among those named. High school senior Clay is the novel's main narrator, but the story belongs to Hannah. She describes in an authentic, if overly self-aware, voice how slights and misunderstandings snowballed until she could no longer cope. Hannah's reputation is questioned, her parents are distracted by financial problems, her friends use her, and when she reaches out for help, no one steps forward. Readers will immediately identify with Hannah's experiences in high school society. From Hannah, readers realize the impact of thoughtless actions and comments. As Clay finishes Hannah's story, he becomes more perceptive and sensitive to others. Teens will embrace Asher's debut novel because it is not condescending or preachy. Sex and drugs are plot elements but are not graphically described. Short sentences make it a quick, smooth read, yet there is depth to the novel. This provocative tale touches on universal topics of interest, is genuine in its message, and would be a good choice for high school book discussions and booktalks. The attractive cover art is aimed at female readers. But because the content appeals to both genders, more readers would be drawn to the book if it featured Clay on the cover. Reviewer: Judy Sasges Children's Literature Clay Jensen's first love records her last words. Clay returns home from school to find a strange package with his name on it lying on his porch. Inside he discovers several cassette tapes recorded by Hannah Baker, his classmate and crush who committed suicide two weeks earlier. Hannah's voice explains that there are thirteen reasons she decided to end her life. Clay is one of them. If he listens, he will find out why. Clay spends the night crisscrossing his town with Hannah as his guide. He becomes a first-hand witness to Hannah's pain, and learns the truth about himself, a truth he never wanted to face. What he discovers changes his life forever. This novel is the first for Jay Asher, and it is billed as a spectacular one. The reader learns that one cannot stop the future or rewind the past. This book is also billed as suspense. It may not be for everyone, and many may become bored and/or discouraged before the end, but, like other Razorbill books, it is challenging and interesting. Reviewer: Naomi Butler School Library Journal Gr 7 Up High school senior Clay Jensen receives seven audiotapes in the mail. They contain the story of why Hannah Baker, a girl he adored, committed suicide. Each side is devoted to a person in her life and a reason for her death. Clay also has a map of places featured on the recordings. He spends a torturous night listening and wandering, unearthing the depth and causes of Hannah's unhappiness. His torment is private-how did he hurt a girl he treasured from afar-and empathic-her hurts and betrayals tear him apart. Clay's pain is palpable and exquisitely drawn in gripping, casually poetic prose. The complex and soulful characters expose astoundingly rich and singularly teenage inner lives, with emotions as raw as cut wrists. The mood is more serious than somber, and Clay's thoughtful synthesis of Hannah's increasingly explosive narrative saves the novel from melodrama. In fact, Hannah's and Clay's narratives are woven together so seamlessly that the characters appear to converse naturally from opposite sides of mortality. Compounded, the tapes build the plot in increasingly tense increments-Hannah's story is a freight train of despair and suspense that picks up speed as it moves to her final undoing. Like the protagonist in John Green's Looking for Alaska (Dutton, 2005), Hannah is an animate ghost; Clay's bereaved voice bears witness to her tragedy. The episodic structure is nicely suited to reluctant readers, but the breakneck pace and dizzying emotion are the true source of this novel's irresistible readability at all levels.-Johanna Lewis, New York Public Library