The Da Vinci Code达·芬奇密码 英文原版 [平装]

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Dan Brown(丹·布朗) 著



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发表于2024-12-29

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图书介绍

出版社: Knopf Group
ISBN:9781400079179
版次:1
商品编码:19041577
包装:平装
出版时间:2006-03-28
用纸:胶版纸
页数:489
正文语种:英文
商品尺寸:10.41x2.54x17.27cm


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编辑推荐

  《达·芬奇密码》是惊险小说和智力解迷结合的典范之作。其行文节奏明快,语言富有智慧,情节错落有致,作者在密码学、数学、宗教、文化、艺术等诸多方面的知识可以说展露得淋漓尽致,并将大量的时下人们关注的信息有机地引入作品之中,巧妙地运用到##迭起的情节里面,从小说的精彩开篇到难以预料的令人叫绝的结尾,丹·布朗充分证明自己是个善讲故事的大师。
  商品《The Da Vinci Code》有两种印刷封面,随机发货!

内容简介

An ingenious code hidden in the works of Leonardo da Vinci.
A desperate race through the cathedrals and castles of Europe.
An astonishing truth concealed for centuries . . . unveiled at last.

As millions of readers around the globe have already discovered, The Da Vinci Code is a reading experience unlike any other. Simultaneously lightning-paced, intelligent, and intricately layered with remarkable research and detail, Dan Brown's novel is a thrilling masterpiece—from its opening pages to its stunning conclusion.

作者简介

Dan Brown is the author of numerous #1 bestselling novels, including the recent record-breaking The Lost Symbol, which had the biggest one-week sale in Random House history for a single title. His previous title, The Da Vinci Code, has sold more than 80 million copies worldwide, making it one of the bestselling novels of all time. In addition to numerous appearances on The Today Show, Mr. Brown was named one of the World's 100 Most Influential People by Time Magazine. He has appeared in the pages of Newsweek, Forbes, People, GQ, The New Yorker, and others. His novels are published in over 50 languages around the world.

  丹·布朗堪称今日美国最著名畅销书作家。他的小说《达·芬奇密码》自问世以来,一直高居《纽约时报》畅销书排行榜榜首。其父亲是知名数学教授,母亲则是宗教音乐家,成长于这样的特殊环境中,科学与宗教这两种在人类历史上看似如此截然不同却又存在着千丝万缕关联的信仰成为他的创作主题。2010年11月15日,“2010第五届中国作家富豪榜”子榜单外国作家富豪榜首次发布,该榜统计了2000至2010十年间,外国作家在中国大陆地区的版税总收入,共有25位外国作家上榜,丹·布朗以1800万元人民币版税收入,荣登外国作家富豪榜第3位,引发广泛关注。

精彩书评

"Dan Brown has to be one of the best, smartest, and most accomplished writers in the country. THE DA VINCI CODE is many notches above the intelligent thriller; this is pure genius."
-NELSON DeMILLE, #1 New York Times bestselling author

"Intrigue and menace mingle in one of the finest mysteries I’ve ever read. An amazing tale with enigma piled on secrets stacked on riddles."
-CLIVE CUSSLER, #1 New York Times bestseller

"Dan Brown is my new must-read. THE DA VINCI CODE is fascinating and absorbing -- perfect for history buffs, conspiracy nuts, puzzle lovers or anyone who appreciates a great, riveting story. I loved this book."
-HARLAN COBEN, New York Times bestselling author of Tell No One

"The Da Vinci Code sets the hook-of-all-hooks, and takes off down a road that is as eye-opening as it is page-turning. You simply cannot put this book down. Thriller readers everywhere will soon realize Dan Brown is a master."
-VINCE FLYNN, New York Times bestselling author of Separation of Power

"I would never have believed that this is my kind of thriller, but I'm going to tell you something--the more I read, the more I had to read. In The Da Vinci Code, Dan Brown has built a world that is rich in fascinating detail, and I could not get enough of it. Mr. Brown, I am your fan."
-ROBERT CRAIS, New York Times bestselling author of Hostage

精彩书摘

1
Robert Langdon awoke slowly.
A telephone was ringing in the darkness--a tinny, unfamiliar ring. He fumbled for the bedside lamp and turned it on. Squinting at his surroundings he saw a plush Renaissance bedroom with Louis XVI furniture, hand-frescoed walls, and a colossal mahogany four-poster bed.
Where the hell am I?
The jacquard bathrobe hanging on his bedpost bore the monogram:
HOTEL RITZ PARIS.
Slowly, the fog began to lift.
Langdon picked up the receiver. "Hello?"
"Monsieur Langdon?" a man's voice said. "I hope I have not awoken you?"
Dazed, Langdon looked at the bedside clock. It was 12:32 A.M. He had been asleep only an hour, but he felt like the dead.
"This is the concierge, monsieur. I apologize for this intrusion, but you have a visitor. He insists it is urgent."
Langdon still felt fuzzy. A visitor? His eyes focused now on a crumpled flyer on his bedside table.
THE AMERICAN UNIVERSITY OF PARIS
proudly presents
An evening with Robert Langdon
Professor of Religious Symbology, Harvard University
Langdon groaned. Tonight's lecture--a slide show about pagan symbolism hidden in the stones of Chartres Cathedral--had probably ruffled some conservative feathers in the audience. Most likely, some religious scholar had trailed him home to pick a fight.
"I'm sorry," Langdon said, "but I'm very tired and--"
"Mais monsieur," the concierge pressed, lowering his voice to an urgent whisper. "Your guest is an important man."
Langdon had little doubt. His books on religious paintings and cult symbology had made him a reluctant celebrity in the art world, and last year Langdon's visibility had increased a hundred-fold after his involvement in a widely publicized incident at the Vatican. Since then, the stream of self-important historians and art buffs arriving at his door had seemed never-ending.
"If you would be so kind," Langdon said, doing his best to remain polite, "could you take the man's name and number, and tell him I'll try to call him before I leave Paris on Tuesday? Thank you." He hung up before the concierge could protest.
Sitting up now, Langdon frowned at his bedside Guest Relations Handbook, whose cover boasted: SLEEP LIKE A BABY IN THE CITY OF LIGHTS. SLUMBER AT THE PARIS RITZ.
He turned and gazed tiredly into the full-length mirror across the room. The man staring back at him was a stranger--tousled and weary.
You need a vacation, Robert.
The past year had taken a heavy toll on him, but he didn't appreciate seeing proof in the mirror. His usually sharp blue eyes looked hazy and drawn tonight. A dark stubble was shrouding his strong jaw and dimpled chin. Around his temples, the gray highlights were advancing, making their way deeper into his thicket of coarse black hair. Although his female colleagues insisted the gray only accentuated his bookish appeal, Langdon knew better.
If Boston Magazine could see me now.
Last month, much to Langdon's embarrassment, Boston Magazine had listed him as one of that city's top ten most intriguing people--a dubious honor that made him the brunt of endless ribbing by his Harvard colleagues. Tonight, three thousand miles from home, the accolade had resurfaced to haunt him at the lecture he had given.
"Ladies and gentlemen . . ." the hostess had announced to a full-house at The American University of Paris's Pavillon Dauphine, "Our guest tonight needs no introduction. He is the author of numerous books: The Symbology of Secret Sects, The Art of the Illuminati, The Lost Language of Ideograms, and when I say he wrote the book on Religious Iconology, I mean that quite literally. Many of you use his textbooks in class."
The students in the crowd nodded enthusiastically.
"I had planned to introduce him tonight by sharing his impressive curriculum vitae, however . . ." She glanced playfully at Langdon, who was seated onstage. "An audience member has just handed me a far more, shall we say . . . intriguing introduction."
She held up a copy of Boston Magazine.
Langdon cringed. Where the hell did she get that?
The hostess began reading choice excerpts from the inane article, and Langdon felt himself sinking lower and lower in his chair. Thirty seconds later, the crowd was grinning, and the woman showed no signs of letting up. "And Mr. Langdon's refusal to speak publicly about his unusual role in last year's Vatican conclave certainly wins him points on our intrigue-o-meter." The hostess goaded the crowd. "Would you like to hear more?"
The crowd applauded.
Somebody stop her, Langdon pleaded as she dove into the article again.
"Although Professor Langdon might not be considered hunk-handsome like some of our younger awardees, this forty-something academic has more than his share of scholarly allure. His captivating presence is punctuated by an unusually low, baritone speaking voice, which his female students describe as 'chocolate for the ears.''
The hall erupted in laughter.
Langdon forced an awkward smile. He knew what came next--some ridiculous line about "Harrison Ford in Harris tweed"--and because this evening he had figured it was finally safe again to wear his Harris tweed and Burberry turtleneck, he decided to take action.
"Thank you, Monique," Langdon said, standing prematurely and edging her away from the podium. "Boston Magazine clearly has a gift for fiction." He turned to the audience with an embarrassed sigh. "And if I find which one of you provided that article, I'll have the consulate deport you."
The crowd laughed.
"Well, folks, as you all know, I'm here tonight to talk about the power of symbols . . ."
* * *
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