《全国英语等级考试高分策略（第4级）（全新版）》为了帮助考生更好地了解和准备这项考试，我们认真仔细地研究了ETs各级考试大纲（全新版）及相关资料的要求，组织一些经验丰富的高校英语教师编写了《全国英语等级考试高分策略》（1～5级）。各级均分三章。第一章为试题设计、考点分析和考生答题时应该注意的事项，由对各级考试有较深研究的专业人士编写，详细分析了试卷设计的基本思路及各部分试题的考查要点，并根据考生的实际情况随时指出其在答题时应该注意的事项。第二章为各部分试题精练，试题按照各级试卷的结构排列，供读者检查自己的听、说、读、写能力和对有关语言知识的掌握情况，以便及时发现并解决问题．本章之后附有听力部分的录音稿和各部分试题的答案，供读者参照。第三章为一套模拟试卷，其难度、能力要求、考查要点等均接近实际考试，供读者检查自己的整体英语水平，预估自己正式考试的成绩。配套光盘的内客包括第二章和第三章中的听力材料，由对各级别情况比较了解的英美专家录制，有助于读者练习听力。

第一章试题设计及考点分析
第一部分试题设计综述
第二部分考试要点分析及考生复习、答题注意事项

第二章试题精练
第一部分听力理解
第二部分英语知识运用
第三部分阅读理解
第四部分写作
第五部分口试
第六部分听力理解录音稿
第七部分参考答案

第三章全国英语等级考试第四级模拟试卷
第一部分笔试模拟试卷
第二部分口试模拟试卷
第三部分笔试模拟试卷听力理解录音稿
第四部分笔试模拟试卷参考答案

精彩书摘

Today I would like to talk about the early days of moviemaking in the late19th and early 20th centuries. Before the pioneering films of D.W. Griffith's,film-makers were limited by several misguided conventions of the era.According to one, the camera was always fixed at a viewpoint correspondingto that of the spectator in the theater, a position now known as the long shot. Itwas another convention that the position of the camera never changed in themiddle of a scene. In last week's film, we saw how Griffith ignored both theselimiting conventions and brought the camera closer to the actor. This shot, nowknown as the full shot, was considered revolutionary at the time. For Love ofGold was the name of the film in which we saw the first use of the full shot.After progressing from the long shot to the full shot, the next logical step forGriffith was to bring in the camera still closer, in what is now called the close-up. The close-up had been used before, though only rarely and merely as avisual stunt, as for example in Edwin Espoter's The Great Train Robbery, whichwas made in 1903. But not until 1908 in Griffith's movie called After Manyyears was the dramatic potential of the close-up first exploited. In a scene fromAfter Many years that we are about to see, pay special attention to the close-up of Annie Lee's worried face as she awaits her husband's return. In 1908 thisclose-up shocked everyone in the moviemaking world, but Griffith had no timefor argument. He had another surprise even more radical to offer. Immediatelyfollowing the close-up of Annie, he inserted a picture of the object of herthought —— her husband, cast away on a desert isle. This cutting from onescene to another without finishing either of them brought a torrent of criticism.
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