Soviet Cities

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Arseniy Kotov
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FUEL Publishing 2020-10-6 Hardcover 9781916218413

具体描述

The Soviet dream of modernist architecture for all, portrayed on the brink of its erasure

In recent years Russian cities have visibly changed. The architectural heritage of the Soviet period has not been fully acknowledged. As a result many unique modernist buildings have been destroyed or changed beyond recognition.

Russian photographer Arseniy Kotov intends to document these buildings and their surroundings before they are lost forever. He likes to take pictures in winter, during the “blue hour,” which occurs immediately after sunset or just before sunrise. At this time, the warm yellow colors inside apartment-block windows contrast with the twilight gloom outside. To Kotov, this atmosphere reflects the Soviet period of his imagination. His impression of this time is unashamedly idealistic: he envisages a great civilization, built on a fair society, which hopes to explore nature and conquer space.

From the Baikonur Cosmodrome in the desert steppes of Kazakhstan to the grim monolithic high-rise dormitory blocks of inner-city Volgograd, Kotov captures the essence of the post-Soviet world. “The USSR no longer exists and in these photographs we can see what remains―the most outstanding buildings and constructions, where Soviet people lived and how Soviet cities once looked: no decoration, no bright colors and no luxury, only bare concrete and powerful forms.”

This superbly designed volume is the latest in Fuel's revelatory and inspiring series on Soviet-era architecture.

用户评价

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##集体主义下的前苏联遗骨,现在看来有种废土朋克,破碎之感

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##比起seasons 更喜欢这本

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##太美了。亚寒带的冰雪和建筑色彩很冷峻,monolithic 意识形态所倡导的生活方式。“creating a wonderful future for humanity.It’s building a world in which the great principle of communism.”对于工业社会及共产主义的终极想象和实践。其中最特别的体验在于和我生命经验的相通,工厂子弟熟悉的马赛克面板和80年代原子式人物雕塑原来都可以在老大哥那里溯源。

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##深沉厚重的美感

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##太美了。亚寒带的冰雪和建筑色彩很冷峻,monolithic 意识形态所倡导的生活方式。“creating a wonderful future for humanity.It’s building a world in which the great principle of communism.”对于工业社会及共产主义的终极想象和实践。其中最特别的体验在于和我生命经验的相通,工厂子弟熟悉的马赛克面板和80年代原子式人物雕塑原来都可以在老大哥那里溯源。

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