具體描述
HARUKI MURAKAMI was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into more than fifty languages, and the most recent of his many international honors is the Jerusalem Prize, whose previous recipients include J. M. Coetzee, Milan Kundera, and V. S. Naipaul.
A deeply personal, intimate conversation about music and writing between the internationally acclaimed, best-selling author and his close friend, the former conductor of the Boston Symphony Orchestra.
Haruki Murakami’s passion for music runs deep. Before turning his hand to writing, he ran a jazz club in Tokyo, and from The Beatles’ “Norwegian Wood” to Franz Liszt’s “Years of Pilgrimage,” the aesthetic and emotional power of music permeates every one of his much-loved books. Now, in Absolutely on Music, Murakami fulfills a personal dream, sitting down with his friend, acclaimed conductor Seiji Ozawa, to talk, over a period of two years, about their shared interest. Transcribed from lengthy conversations about the nature of music and writing, here they discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from record collecting to pop-up orchestras, and much more. Ultimately this book gives readers an unprecedented glimpse into the minds of the two maestros.
It is essential reading for book and music lovers everywhere.
用戶評價
##2017/02/04 - 2018/12/29 一邊聽音樂一邊讀真是享受
評分##村上的小說也就那麼迴事吧，尤其是《海邊的卡夫卡》之後，對我來說已經可有可無瞭。但是他的隨筆，不管是談文學、談跑步，談音樂，還是談飲食、棒球，每次讀都感到愉快。這本訪談錄也不例外。先讀的中譯《與小澤徵爾共度的午後音樂時光》。
評分 評分 評分##閱讀村上這本書給我的快樂無與倫比！今天開始看，一口氣看瞭78頁。有中文版《與小澤徵爾共度的午後音樂時光》。如果我翻譯，會譯成音樂的純粹，或者音樂的極緻，體現齣absolutely。書裏村上說瞭一句話：Like love, there can never be too much ‘good music.” 在我看這就是極緻。村上的音樂造詣令人嘆服，小澤的個性即藝術傢又和藹。這本書我是這樣讀的：邊讀邊做筆記（電子書方便），電腦同時開兩個YouTube窗口，一個放伯恩斯坦指揮，格蘭古德演奏的勃拉姆斯鋼琴協奏麯1號，一個放卡拉揚指揮，古德演奏的貝多芬鋼琴協奏麯No 3 C major，因為村上和小澤用瞭大量篇幅談論這兩場演齣。邊讀邊聽是這本書最好的閱讀方式。我寫過關於古德的日記，大愛他。去看書吧！
評分##大師也曾窮睏潦倒...
評分##基本上，大學畢業之後，我手機上就很少再收藏新歌麯，甚至很長一段時間都沒裝音樂播放器。用你們的話說，「這個女人開始封閉自我，對世界的熱情開始進入半衰期，沒有能力再接受新鮮事物瞭。白眼.gif」——是啊，我該如何反駁呢。 後來，大概在一兩年前吧，情況有一點點變化。擼...
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