村上春樹(1949- ),日本小說傢。曾在早稻田大學文學部戲劇科就讀。1979年,他的第一部小說《聽風之歌》問世後,即被搬上瞭銀幕。隨後,他的優秀作品《1973年的彈子球》、《尋羊冒險記》、《挪威的森林》等相繼發錶。他的創作不受傳統拘束,構思新奇,行文瀟灑自在,而又不流於庸俗淺薄。尤其是在刻畫人的孤獨無奈方麵更有特色,他沒有把這種情緒寫成負的東西,而是通過內心的心智性操作使之升華為一種優雅的格調,一種樂在其中的境界,以此來為讀者,尤其是生活在城市裏的人們提供瞭一種生活模式或生命的體驗。
Twenty two year old, Sumire is in love for the first time with a woman seventeen years her senior. But, whereas Miu is a glamorous and successful older woman with a taste for classical music and fine wine, Sumire is an aspiring writer who dresses in an oversized second hand coat and heavy boots like a character in a Jack Kerouac novel. Surprised that she might, after all, be a lesbian, Sumire spends hours on the phone talking to her best friend, K about the big questions in life: what is sexual desire and should she ever tell Miu how she feels about her? K, a primary school teacher, is used to answering questions, but what he most wants to say to Sumire is "I love you." He consoles himself by having an affair with the mother of one of his pupils. But, when a desperate Miu calls him out of the blue from a sunny Greek island and asks for his help, he soon discovers that all is not as it seems and something very strange has happened to Sumire.
##This story started with companionship, two intimate friends and an adored mystical lady. Then the relationships became lonely. A man who loved a lesbian, who in turn loved a woman with no sexual desire. It ended in perpetual solitude. No love, no connection. Every individual, at some point, was broken from oneself into presence and a distant world 村上春樹和昆德拉小說有一股非現實味兒,昆德拉認為小說應當挖掘生活之外的可能性,村上春樹的幾部作品則以現實和非現實兩條綫展開小說架構,在結尾將雙綫交閤。這種非現實味兒著實誘人,攤開書,潛入小說傢構造的廣袤世界,一切現實中不可能的事在這裏展現。 ...
評分 評分##看瞭這麼多遍,還是覺得特彆迷人,畫麵感也強,有幾處拍成動畫應該也不錯。英文版的用詞很簡單,看起來不費勁,比看論文容易多瞭= =
評分 評分##中英譯本前後加起來這是第三遍讀瞭吧,順便我喜歡荒木的那個裸女封麵
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