村上春树(1949- ),日本小说家。曾在早稻田大学文学部戏剧科就读。1979年,他的第一部小说《听风之歌》问世后,即被搬上了银幕。随后,他的优秀作品《1973年的弹子球》、《寻羊冒险记》、《挪威的森林》等相继发表。他的创作不受传统拘束,构思新奇,行文潇洒自在,而又不流于庸俗浅薄。尤其是在刻画人的孤独无奈方面更有特色,他没有把这种情绪写成负的东西,而是通过内心的心智性操作使之升华为一种优雅的格调,一种乐在其中的境界,以此来为读者,尤其是生活在城市里的人们提供了一种生活模式或生命的体验。
With Kafka on the Shore, Haruki Murakami gives us a novel every bit as ambitious and expansive as The Wind-Up Bird Chronicle, which has been acclaimed both here and around the world for its uncommon ambition and achievement, and whose still-growing popularity suggests that it will be read and admired for decades to come.
This magnificent new novel has a similarly extraordinary scope and the same capacity to amaze, entertain, and bewitch the reader. A tour de force of metaphysical reality, it is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom. Their odyssey, as mysterious to them as it is to us, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish (and worse) fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle–yet this, along with everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own.
Extravagant in its accomplishment, Kafka on the Shore displays one of the world’s truly great storytellers at the height of his powers.
##20171124 英文的畅快只持续了三章,接着又在无止境的拖沓中,过渡章堪称灾难。想在这样的情节里表达太多,却成了不贴切的堆砌和突如其来的惊吓。古典乐也灾难,人物写着写着就精分了…金句冒得跟伊坂有一拼。朋友推荐,本着既然开始就看完吧,再看看也许后面还不错的心情看完了全书。我想我不会再看村上了…
评分##首都机场延误的结果
评分##这是一次被紧紧攥住,紧追慢赶,又努力挣脱的阅读体验。 《海边的卡夫卡》十分好读,也十分吸引人,但非常难解。作品布局巧妙,结构复杂机巧;意象稠密,互为指涉或隐喻之处数不胜数;故事离奇错综,神秘莫测;人物命运牵缠人心。迫不急待地往下读,几乎无法,或说无暇思考。读...
评分##简说村上 我读村上的小说,要追溯到96年以前。那时国内还没兴起村上热。后来,陈丹燕在自己的都市白领小说中提及这个名字,很快地,读村上就成了一种小资文化的新标向,几米改编村上短篇小说而成的《向左走向右走》又无意间成了助燃剂。于是,98-02年间,村上春树...
评分##不过是村上情节发作而已,英译很漂亮,和汉译完全不是一回事,我不禁开始怀疑村上的文风究竟如何。不过转手二道,各有千秋,只是其中的《海边的卡夫卡》歌词,确实比林叔叔翻译得要漂亮得多。
评分 评分##读罢《海边的卡夫卡》,我忽然想,那个写《且听风吟》,写《挪威的森林》村上究竟哪里去了? 我不知道,为什么有人会说《挪威的森林》是村上最差的作品。《挪威的森林》于我而言,就像是一首诗。多年之后,我依然记得主人公坐在波音客机降落在汉堡机场,看着窗外熟悉的风...
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