具体描述
内容简介
Vintage Tattoo Flash is a one-of-a-kind visual exploration?of the history and evolution of tattooing in America. A?luscious, offset-printed, hardcover tome—a beautiful and?serious addition to the understanding of one of the world’s?oldest and most popular art forms.
Electric tattooing as we know it today was invented in?New York City at the turn of the 19th century. In the first?days of American tattooing, tattoos were primarily worn?by sailors and soldiers, outlaws and outsiders. The visual?language of what came to be known as “traditional tattooing”?was developed in those early days on the Bowery?and catered to the interests of the clientele. Common?imagery that soon became canon included sailing ships,?women, hearts, roses, daggers, eagles, dragons, wolves,?panthers, skulls, crosses, and popular cartoon characters?of the era. The first tattooists also figured out that using?bold outlines, complimented by solid color and smooth?shading, was the proper technique for creating art on a?body that would stand the test of time. In the over 100?years since then, techniques and styles have evolved, and?the customer base has expanded, but the core subject?matter and philosophy developed at the dawn of electric?tattooing has persisted as perennial favorites through the?modern era.
While most tattoos are inherently ephemeral, transported?on skin until the death of the collector, a visual record?exists in the form of tattoo flash: the hand-painted sheets?of designs posted in tattoo shops for customers to select?from. Painted and repainted, stolen, traded, bought and?sold, these sheets are passed between artists through one?channel or another, often having multiple useful lives in a?variety of shops scattered across time and geography. The?utility of these original pieces of painted art has made it?so that original examples can still be found in use or up for?grabs if you know where to look.
Vintage Tattoo Flash draws from the personal collection?of Jonathan Shaw—renowned outlaw tattooist and?author—and represents a selection of over 300 pieces of?flash from one of the largest private collections in existence.?Vintage Tattoo Flash spans the first roughly 75?years of American tattooing from the 1900s Bowery, to?50s Texas, through the Pike in the 60s and the development?of the first black and grey, single-needle tattooing?in LA in the 70s. The book lovingly reproduces entirely?unpublished sheets of original flash from the likes of Bob?Shaw, Zeke Owen, Tex Rowe, Ted Inman, Ace Harlyn, Ed?Smith, Paul Rogers, the Moskowitz brothers, and many,?many others relatively known and unknown. 作者简介
Jonathan Shaw?is a world traveling outlaw artist, novelist, blogger, head doctor, anti-folk hero, whorehouse philosopher, legendary tattoo master, and notorious innovator and creator of underground art. Shaw was born in NY to big band legend Artie Shaw and movie star Doris Dowling, and was raised in LA where he learned to tattoo on the legendary Pike boardwalk from old-school California masters. After running with the likes of Jim Morrison, the Manson Family, and Charles Bukowski, he fell prey to heroin addiction and a life of crime. He finally left 1970s Hollywood to travel the world and founded Fun City, the first street tattoo shop in NYC since tattooing was decriminalized in the 1960s.,, 精彩书评
"Few have dipped so deeply or functioned so extensively in the cultural underbelly of our world than the notorious artist and adventurer, Jonathan Shaw." -Robert Williams
"Ranks with the best." -Johnny Depp
"A living example of human indestructibility that is hard to surpass." -Eugene Hutz (Gogol Bordello)
"Bold and striking images." -Kat Von D.
"An American classic, a traditionalist discarding history." -JUXTAPOZ
"Jonathan Shaw is an acknowledged master craftsman of the present era." -SECONDS
? ? ? ? ? ? ? ??
"Jonathan Shaw (is) a subversive and criminal inhabitant of the world of human expression." -Jim Jarmusch
''Jonathan Shaw is a shameless evildoer.'' -Marilyn Manson
''Jonathan Shaw is the great nightmare anti-hero of the new age.'' -Iggy Pop
"The images in the book, much like the bodies of those whose skin they adorned, read like a history of the cultural concerns of the time—from early nautical and military themes of patriotism and seafaring to the popular cartoon characters of a given era and our ever-shifting views on death, birth, and sex." —Esquire
"The pieces in Vintage Tattoo Flash come from the last century, but the highest concentration of work is from the 1900s to the 1960s. They represent much of the familiar iconography of American tattooing: ships, half-dressed women, birds of prey, panthers, daggers, roses, and, yes, hearts emblazoned with mom. What's fascinating to see, by leafing through Shaw's collection, is how the art form has evolved in the last hundred years. By the 1950s and '60s, the Sailor Jerry–esque American traditional designs begin to shift into different territory, influenced by other styles of tattooing: a touch of traditional Japanese here, a hint of realism there."?—Men's Journal
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艺术的传承与革新:当代纹身艺术的视觉史诗 本书深入探讨了自二十世纪初至今,纹身艺术如何从边缘文化符号逐渐演变为全球性的主流艺术形式。我们不再聚焦于单一的“经典闪光”(Flash)风格,而是以更广阔的视角,审视纹身美学在不同文化、技术和艺术思潮影响下所经历的深刻变革。 第一部分:现代性的崛起与风格的奠基(1900-1960) 本部分将细致梳理现代纹身艺术的萌芽阶段。不同于传统的单一同质化叙事,我们聚焦于全球各地独立发展出的几种关键美学流派。 一、早期美国传统(American Traditional)的地域性差异: 我们不仅会介绍波士顿、纽约等地形成的核心元素(如船锚、玫瑰、鹰等),更会深入探究西海岸(特别是旧金山湾区)在二战后受到日本和波利尼西亚文化影响所产生的早期融合迹象。书中收录了大量未曾被系统整理的早期纹身师的素描稿和工作照片,揭示了他们如何在高压、简陋的环境下,以有限的工具创造出具有持久生命力的视觉语言。特别值得一提的是,我们考察了特定时期,如“水手文化”和“流浪汉文化”如何作为独立的亚文化载体,推动了某些图案的传播,并探讨了这种传播中隐含的性别与阶级代码。 二、欧洲大陆的隐秘发展: 在欧洲,纹身艺术的发展轨迹与美国截然不同。本书展示了战前和战后德国、法国的纹身实践,它们往往与特定的社会群体(如犯罪组织、马戏团成员)紧密相连,艺术风格上更偏向于强烈的写实主义或受新艺术运动(Art Nouveau)影响的装饰性线条。通过分析档案中的医用记录和少数幸存的客户证词,我们得以窥见纹身在欧洲社会语境下所承载的复杂社会功能。 三、东方美学的潜流: 本章详述了日本传统纹身(Irezumi)在十九世纪末被西方观察家“发现”后,如何在国际上引起关注。然而,我们的重点并非仅仅停留在对既有图案的描述上,而是分析了这种“异域”美学如何被西方刺青师以碎片化、简化(甚至被曲解)的方式吸收,成为日后“新传统”(Neo-Traditional)风格的无意识渊源。 第二部分:反主流文化的激荡与媒介的转向(1970-1990) 随着后现代主义思潮的兴起和地下音乐场景的蓬勃发展,纹身艺术开始主动地挑战主流审美。 一、朋克与哥特的影响: 我们研究了纹身如何成为表达个体反抗和身份认同的工具。在这一时期,图像的复杂性让位于冲击力和象征意义。从手工打孔技术到简易机器的使用,技术上的原始性反而被视为一种“真实性”的体现。本书收录了当时一些前卫纹身师的作品集,他们开始实验非传统的部位、不对称构图,并大量引入文字和符号学元素。 二、写实主义的萌芽与生物机械学的试验: 瑞士的汉斯·鲁迪·吉格(H.R. Giger)等视觉艺术家的出现,对纹身艺术产生了深远影响。本书将追溯“生物机械”(Biomechanical)风格是如何从科幻电影的概念设计中脱胎而出,并被纹身师转化为一种关于身体、机器与性别的探索性媒介。这一阶段的技术进步,如更精细的针头配置和更稳定的机器转速,使得细腻的阴影和光滑的渐变成为可能。 三、色彩的解放与图案的颠覆: 七十年代末期,随着新型高品质色料的出现,纹身色彩不再受限于几个基本色调。我们详细分析了如何利用色彩的饱和度、对比度和光影效果,来重塑传统图案的叙事感。例如,一个传统的“罗盘”图案,如何通过冷暖色调的交织,从简单的导航工具转变为关于迷失与回归的哲学隐喻。 第三部分:全球化、数字化与风格的融合与再创造(2000至今) 进入新千年,互联网和全球旅行的普及彻底改变了纹身艺术的传播路径和创新速度。 一、风格的交叉感染与“新学派”(New School)的成熟: 本书探讨了不同地理文化圈的风格是如何在虚拟空间中进行高速的“交叉授粉”。“新学派”风格,以其夸张的比例、卡通化的光泽感和极其饱满的色彩,成为这一时期的标志。我们分析了它与街头涂鸦艺术、动画产业之间的复杂互动关系。 二、极简主义与线性艺术的复兴: 与追求繁复和色彩的“新学派”形成鲜明对比的是,“极简主义线条”(Fine Line)和“几何抽象”风格的崛起。这些风格强调纹身作为一种纯粹的“皮肤雕塑”的本质,利用极其细微的线条和大量的留白,创造出具有建筑感和冥想意味的作品。我们考察了这种风格与现代平面设计美学之间的共鸣,以及它如何吸引了追求低调和永恒性的客户群体。 三、当代写实主义的极限挑战: 当代写实纹身(Photorealism)已经超越了简单的模仿。本章通过对顶尖艺术家的深度访谈,揭示了他们如何处理皮肤的曲面、光线的反射以及如何用墨水模拟毛发、水滴甚至金属的光泽。我们详细介绍了他们如何运用多层叠加技术和定制的色料配方,实现肉眼可见的深度和质感。 结语:纹身作为动态档案 本书的结论部分,将纹身艺术定位为一种不断自我修正、自我更新的“动态档案”。它不再仅仅是固定在皮肤上的图像,而是艺术家个体意识、技术进步和社会变迁的即时记录。我们展望了未来,随着虚拟现实和生物科技的发展,纹身艺术的边界将如何被进一步推向未知领域,它将如何继续在“永久性”和“易逝性”之间进行迷人的对话。 本书收录了数百幅高清彩图,并附有详尽的术语表和关键艺术家年表,旨在为专业纹身师、艺术史学者以及所有对人体艺术感兴趣的读者,提供一个全面、深入且不被既有框架束缚的视觉研究文本。
与其他充斥着光怪陆离、过度设计的新派纹身书籍相比,这本《Vintage Tattoo Flash》简直是一股清流。它用最朴实无华的方式,向我们展示了什么是真正经得起时间考验的“硬核”设计。我发现自己常常会陷入沉思,琢磨一个简单的三叶草图案背后蕴含的文化密码,或者一个风格强烈的燕子图案是如何跨越半个多世纪依然保持着其视觉冲击力的。这本书的装帧设计,那种沉甸甸的、可以安稳放在书架上且永不过时的感觉,本身就是对“传统”最好的致敬。我特别留意了其中对于某些特定风格(比如早期美式传统对日本浮世绘的吸收)的展示,那种跨文化的碰撞和融合,处理得非常巧妙,既有历史的厚度,又不失视觉的流畅性。它不是教你如何纹身,而是告诉你为什么这些图案会成为经典,这种深层次的知识传递,是任何电子版都无法比拟的。