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一場末日浩劫後的未來,神秘的病毒毀滅瞭文明,受害者喪失過去的記憶,變身為吃活人的僵屍,幸存的人類建立起堅固的高牆堡壘,以防止飢餓的僵屍們,成群結隊闖進來獵食…。然而,這種看似傳統活屍片的背景設定,卻因男主角R的齣現而顛覆一切!R是個沒有記憶、心跳的僵屍,卻懷抱著許多夢想,他的內心世界充滿驚奇與渴望。某日R正在獵食人類時,竟然煞到瞭一位溫暖、燦爛的活生生女孩茱莉,R不但沒吃掉她的腦袋,還決定救她一命,讓她免於遭受R的僵屍同伴吞噬。 對原本形如槁木死灰的R而言,茱莉的齣現,簡直是蒼灰陰鬱中一抹奔放艷麗的色彩。於是一段緊張而又異常溫柔的甜蜜關係就此展開。
R悄悄把茱莉帶迴他稱為傢的地方,即一座滿布僵屍的機場,並讓她躲在一架廢棄的767波音客機上,裏麵有他到處搜集而來的“寶藏”,包括黑膠唱片、雪景水晶球、樂器等。接下來的幾天,他們在這個隱匿處意外地共度瞭愜意的日子,在不知不覺之中,活潑的茱莉喚起R遺忘已久的人性情感,而她也開始瞭解到他不隻是個慢動作、眼神呆滯的行屍走肉。
茱莉很睏惑自己對於R的感情,於是帶著復雜情緒返迴人類城市。她父親是無情的僵屍獵人,領導人類大軍捍衛他們僅存的高牆傢園。同時,害相思病的R開始産生前所未有的改變,他相信自己與茱莉的相知相惜能夠拯救無論是生是死的人類,不過他齣現在她傢門口時,很快就掀起活人和僵屍(以及皮包骨)之間的全麵性混戰,而這也威脅到這一對奇跡戀人未來能否在一起的可貴機會。
這種事從沒發生過,不但不閤邏輯,也違背瞭規矩,不但改變瞭R,也改變他的僵屍同伴,甚至讓死氣沉沉的世界齣現瞭生機。然而,在那陰森腐敗的世界裏,想要完成夢想,他們還需要一場革命……
內容簡介
R is a young man with an existential crisis--he is a zombie. He shuffles through an America destroyed by war, social collapse, and the mindless hunger of his undead comrades, but he craves something more than blood and brains. He can speak just a few grunted syllables, but his inner life is deep, full of wonder and longing. He has no memories, noidentity, and no pulse, but he has dreams.
After experiencing a teenage boy's memories while consuming his brain, R makes an unexpected choice that begins a tense, awkward, and stragely sweet relationship with the victim's human girlfriend. Julie is a blast of color in the otherwise dreary and gray landscape that surrounds R. His decision to protect her will transform not only R, but his fellow Dead, and perhaps their whole lifeless world.
Scary, funny, and surprisingly poignant, Warm Bodies is about being alive, being dead, and the blurry line in between.
《溫暖的屍體》講述瞭一個叫做“R”的僵屍和一個他殺死的人類的女友之間的浪漫關係,這段關係引發瞭連鎖反應,不僅改變瞭他和他的僵屍夥伴,也改變瞭整個僵屍世界。
作者簡介
Isaac Marion was born near Seattle in 1981 and has lived in and around that city ever since. Deciding to forgo college in favor of direct experience, he dived into writing while still in high school and self-published three terrible novels before finally hitting his stride with Warm Bodies, his first published work. He currently splits his time between writing in Seattle and hunting inspiration on cross-country RV trips. Visit IsaacMarion.com.
精彩書評
“I never thought I could care so passionately for a zombie. Isaac Marion has created the most unexpected romantic lead I've ever encountered, and rewritten the entire concept of what it means to be a zombie in the process. This story stayed with me long after I was done reading it. I eagerly await the next book by Isaac Marion.”
(Stephenie Meyer, #1 New York Times Bestselling author of the Twilight series)
“A mesmerising evolution of a classic contemporary myth.”
(Simon Pegg, New York Times bestselling author of Nerd Do Well)
“Warm Bodies is a terrific book—a compelling literary fantasy which is also a strange and affecting pop-culture parable.”
(Nick Harkaway, author of The Gone-Away World)
“Isaac Marion has a great new voice that hooks you from page one and accomplishes the impossible: it makes you care about young zombie love. Warm Bodies is a terrific read.”
(Josh Bazell, New York Times bestselling author of Beat the Reaper)
“Enormous fun.”
(Marie Claire (UK))
“Wryly playful, cinematic, and ultimately moving.”
(Time Out London)
“Has there been a more sympathetic monster since Frankenstein's?”
(The Financial Times)
“It’s got the boarded-up strongholds and mob mentality of Night of the Living Dead—but also romance. As the evil thing resists its evil nature, the book neuters zombies in the same way Stephanie Meyer did vampires.”
(Time Out NY)
“If you haven't caught on to Isaac Marion's writing yet, you're really missing out.”
(About.com)
“In elegant, evocative prose, Marion has fashioned the world’s most unlikely romance in a story that is by turns harrowing, poignant, and tender. At the last, the reader is reminded that we are all ultimately human, whether living or dead. Utterly charming.”
(Library Journal (starred review))
前言/序言
I AM DEAD, but it’s not so bad. I’ve learned to live with it. I’m sorry I can’t properly introduce myself, but I don’t have a name anymore. Hardly any of us do. We lose them like car keys, forget them like anniversaries. Mine might have started with an “R,” but that’s all I have now. It’s funny because back when I was alive, I was always forgetting other people’s names. My friend “M” says the irony of being a zombie is that everything is funny, but you can’t smile, because your lips have rotted off.
None of us are particularly attractive, but death has been kinder to me than some. I’m still in the early stages of decay. Just the gray skin, the unpleasant smell, the dark circles under my eyes. I could almost pass for a Living man in need of a vacation. Before I became a zombie I must have been a businessman, a banker or broker or some young temp learning the ropes, because I’m wearing fairly nice clothes. Black slacks, gray shirt, red tie. M makes fun of me sometimes. He points at my tie and tries to laugh, a choked, gurgling rumble deep in his gut. His clothes are holey jeans and a plain white T-shirt. The shirt is looking pretty macabre by now. He should have picked a darker color.
We like to joke and speculate about our clothes, since these final fashion choices are the only indication of who we were before we became no one. Some are less obvious than mine: shorts and a sweater, skirt and a blouse. So we make random guesses.
You were a waitress. You were a student. Ring any bells?
It never does.
No one I know has any specific memories. Just a vague, vestigial knowledge of a world long gone. Faint impressions of past lives that linger like phantom limbs. We recognize civilization—buildings, cars, a general overview—but we have no personal role in it. No history. We are just here. We do what we do, time passes, and no one asks questions. But like I’ve said, it’s not so bad. We may appear mindless, but we aren’t. The rusty cogs of cogency still spin, just geared down and down till the outer motion is barely visible. We grunt and groan, we shrug and nod, and sometimes a few words slip out. It’s not that different from before.
But it does make me sad that we’ve forgotten our names. Out of everything, this seems to me the most tragic. I miss my own and I mourn for everyone else’s, because I’d like to love them, but I don’t know who they are.
There are hundreds of us living in an abandoned airport outside some large city. We don’t need shelter or warmth, obviously, but we like having the walls and roofs over our heads. Otherwise we’d just be wandering in an open field of dust somewhere, and that would be horrifying. To have nothing at all around us, nothing to touch or look at, no hard lines whatsoever, just us and the gaping maw of the sky. I imagine that’s what being full-dead is like. An emptiness vast and absolute.
I think we’ve been here a long time. I still have all my flesh, but there are elders who are little more than skeletons with clinging bits of muscle, dry as jerky. Somehow it still extends and contracts, and they keep moving. I have never seen any of us “die” of old age. Left alone with plenty of food, maybe we’d “live” forever, I don’t know. The future is as blurry to me as the past. I can’t seem to make myself care about anything to the right or left of the present, and the present isn’t exactly urgent. You might say death has relaxed me.
I am riding the escalators when M finds me. I ride the escalators several times a day, whenever they move. It’s become a ritual. The airport is derelict, but the power still flickers on sometimes, maybe flowing from emergency generators stuttering deep underground. Lights flash and screens blink, machines jolt into motion. I cherish these moments. The feeling of things coming to life. I stand on the steps and ascend like a soul into Heaven, that sugary dream of our childhoods, now a tasteless joke.
After maybe thirty repetitions, I rise to find M waiting for me at the top. He is hundreds of pounds of muscle and fat draped on a six-foot-five frame. Bearded, bald, bruised and rotten, his grisly visage slides into view as I crest the staircase summit. Is he the angel that greets me at the gates? His ragged mouth is oozing black drool.
He points in a vague direction and grunts, “City.”
I nod and follow him.
We are going out to find food. A hunting party forms around us as we shuffle toward town. It’s not hard to find recruits for these expeditions, even if no one is hungry. Focused thought is a rare occurrence here, and we all follow it when it manifests. Otherwise we’d just be standing around and groaning all day. We do a lot of standing around and groaning. Years pass this way. The flesh withers on our bones and we stand here, waiting for it to go. I of
Warm Bodies 溫暖的屍體 [平裝] 下載 mobi epub pdf txt 電子書 格式
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☆☆☆☆☆
書可能是一種靈丹妙藥,煩悶時,讀書可以解悶;愁苦時,讀書可以忘憂;興奮時,
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當心情消極悲觀的時候讀書,它會喚起你對未來人生的熱愛和美好生活的嚮往;
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☆☆☆☆☆
超愛這本書!!!!!!!!!
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☆☆☆☆☆
書可能是一種靈丹妙藥,煩悶時,讀書可以解悶;愁苦時,讀書可以忘憂;興奮時,
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正好騷到瞭你的癢處。這種“柳暗花明又一村”的感覺你那麼舒服,那麼的自在。
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他們顧不得高談闊論或憤世嫉俗地憂患人類的命運.他們首先得改變自己的生存條件.同時也放棄最主要的精神追求.他們既不鄙視普通人的世俗生活.但又竭力使自己對生活的認識達到更深的層次.
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貨好送貨又快 廢話不多說 同時買瞭三本推拿的書和這本,比認為這本是最好的!而且是最先收到的!好評必須的,書是替彆人買的,貨剛收到,和網上描述的一樣,適閤眾多人群,快遞也較滿意。書的質量很好,內容更好!收到後看瞭約十幾頁沒發現錯彆字,紙質也不錯。應該是正版書籍,謝謝吃完午飯,趁手頭工作不多,便給朋友發瞭條短信,這次等瞭半個小時,卻依舊沒有朋友的迴信。我開始坐立不安,記得不久的過去,就算她忙,她總會在半小時內迴他的呀!他懷疑難道是自己昨天沒發短信給她她生氣瞭?兩小時後信息迴來,告訴我要到京東幫他買書,如果不買或者兩天收不到書就分手!,我靠,沒有辦法,我就來京東買書瞭。沒有想到書到得真快。好瞭,我現在來說說這本書的觀感吧,網絡文學融入主流文學之難,在於文學批評傢的缺席,在於衡量標準的混亂,很長一段時間,文學批評傢對網絡文學集體失語,直到最近一兩年來,諸多活躍於文學批評領域的評論傢,纔開始著手建立網絡文學的評價體係,很難得的是,他們迅速掌握瞭網絡文學的魅力內核,並對網絡文學給予瞭高度評價、寄予瞭很深的厚望。隨著網絡文學理論體係的建立,以及網絡文學在創作水準上的不斷提高,網絡文學成為主流文學中的主流已是清晰可見的事情,下一屆的“五個一工程奬”,我們期待看到更多網絡文學作品的入選。據悉,京東已經建立華北、華東、華南、西南、華中、東北六大物流中心,同時在全國超過360座城市建立核心城市配送站。是中國最大的綜閤網絡零售商,是中國電子商務領域最受消費者歡迎和最具有影響力的電子商務網站之一,在綫銷售傢電、數碼通訊、電腦、傢居百貨、服裝服飾、母嬰、圖書、食品、在綫旅遊等12大類數萬個品牌百萬種優質商品。選擇京東。好瞭,現在給大傢介紹兩本好書:《電影學院037?電影語言的語法:電影剪輯的奧秘》編輯推薦:全球暢銷三十餘年並被翻譯成數十種語言,被公認為討論導演、攝影、剪輯等電影影像畫麵組織技巧方麵最詳密、實用的經典之作。|從實踐齣發闡明攝影機位、場麵調度、剪輯等電影語言,為“用畫麵講故事”奠定基礎;百科全書式的工作手冊,囊括拍攝中的所有基本設計方案,如對話場麵、人物運動,使初學者能夠迅速掌
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它能淨化人的心靈。每讀到一本好書就像他鄉遇故知、久旱遇甘霖一樣,另人心曠神怡,
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