More More More Said the Baby宝贝想要更多 英文原版 [平装] pdf epub mobi txt 电子书 下载 2025

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☆☆☆☆☆

Vera B. Williams（薇拉·B·威廉姆斯） 著，Vera B. Williams（薇拉·B·威廉姆斯） 绘

图书标签:

• Baby
• Board Book
• Early Learning
• Picture Book
• Children's Book
• Toddler
• Repetitive Text
• Language Development
• Interactive
• Bedtime Story

出版社： HarperCollins US

ISBN：9780688147365

商品编码：19005137

包装：平装

丛书名： A Caldecott Honor Book

出版时间：1996-04-25

用纸：胶版纸

页数：40

正文语种：英文

商品尺寸：24.89x0.51x27.94cm

编辑推荐

Amazon.com Review
From beneath the tickles, kisses, and unfettered affection showered on them by grownups, the children in Vera B. Williams' Caldecott Honor Book cry out for "more more more!" The stars of three little love stories--toddlers with nicknames like "Little Pumpkin"--run giggling until they are scooped up by adoring adults to be swung around, kissed, and finally tucked into bed. Quirky watercolor drawings and colorful text feature multiethnic families, and young readers will rejoice in seeing the center of all the attention: the wiggly, chubby, irresistible toddlers. (Baby to preschooler)

From School Library Journal
The spontaneity and delight of play is captured perfectly in this trio of multigenerational, multiracial "love stories" about three pairs of babies and their grown-ups. Told in a natural, colloquial tone, the simple, engaging text is finely honed with a rhythm that is musical. The style is as buoyant and infectious as the actions described: "Little Guy's daddy has to run like anything just to catch that baby up." Williams carries the same basic framework and language through each story, generating the repetition that is so satisfying to very young listeners, while the stories and characters maintain their own distinctions. Just as she celebrates universality within the text, Williams presents diversity with characteristic flair within her illustrations. Little Guy and his father are white, Little Pumpkin is African-American and her grandmother is white, and Little Bird and her mother are both Asian-American. Natural and unforced, Williams' choices are an accurate reflection of American society, but are noteworthy in their representation in books for this age group. Uncluttered, yet filled with movement, the splashy, vibrant paintings in gouache feature vigorous portraits and large, clearly defined objects set against a textured expanse of sweeping brushstrokes. The text appears in rainbow-hued letters within the illustrations, adding to the appealing design. Although it is a fine vehicle for toddler storytimes, the real strength of this book lies in the intimacy achieved when it is shared one-on-one between babies and adults or older siblings. A joyous expression of verbal and physical affection, these are truly love stories for our times. More, more, more . . . --Starr LaTronica, North Berkeley Lib . , CA
Copyright 1990 Reed Business Information, Inc.

内容简介

Here are Little Guy, Little Pumpkin, and Little Bird. Their grownups love them. So will you.

作者简介

Vera B. Williams lives in New York City.

In Her Own Words...

"Throughout my childhood I was encouraged to make pictures, tell stories, act, and dance--all of this at a heaven in our New York City neighborhood called the Bronx House.

"Saturdays I painted with a crusading art director, Florence Cane. In her book The Growth of the Child Through Art, I appear under the name Linda. I was sixteen when the book appeared and embarrassed by it. But at age nine I had been totally proud when a painting of mine was exhibited at the Museum of Modern Art and I was later shown in the Movietone News explaining to Eleanor Roosevelt its Yiddish title, "Yentas."

"In 1945 I went to Black Mountain College in North Carolina, a unique educational community. I graduated in 1949 in graphic art, which I studied with Josef Albers. Along the way I planted corn, made butter, worked on the printing press, and helped to build the house in which I lived with Paul Williams, a fellow student I married there.

"I wanted that connection of art and community to continue. And it did at the Gate Hill Cooperative, a community we built with other Black Mountain people, a poet, musicians, and potters. I lived and worked there from 1953-1970 (after which I moved to Canada). My children (Sarah, Jenny, Merce) grew up there. For them, we branched out into a school, part of the Surnmerhill movement. The gingerbread houses that led to my first book for Greenwillow I first made in sticky variety at our school. I have always liked to teach and have taught art, cooking, writing, nature study, for nursery age on.

"At forty-six, no longer married, living in a houseboat on the bay at Vancouver, British Columbia, I did my first book. But before that could happen, the fates decreed a stint of cooking and running a bakery at a small school in the Ontario countryside. My love affair with Canada included also a 500-mile trip on the Yukon River. Many of those adventures I put in Three Days on a River in a Red Canoe.

"I also write and draw for adults-short stories, leaflets, and posters. As a lover of children, I try to do what I can to help save their earth from nuclear disaster. This pursuit, too, has added its excitement to my biography, including, in 1981, a month's stay in the federal penitentiary in Alderson, West Virginia (an outcome of a women's peaceful blockade of the Pentagon). Perhaps this experience will some day appear in one of my books. So far I've found children's books a wonderfully accommodating medium where any of my various activities might pop up."

内页插图

精彩书评

"The spontaneity and delight of play is captured perfectly in this trio of multigenerational, multiracial "love stories" about three pairs of babies and their grown-ups. Told in a natural, colloquial tone, the simple, engaging text is finely honed with a rhythm that is musical. The style is as buoyant and infectious as the actions described: "Little Guy's daddy has to run like anything just to catch that baby up." Williams carries the same basic framework and language through each story, generating the repetition that is so satisfying to very young listeners, while the stories and characters maintain their own distinctions. Just as she celebrates universality within the text, Williams presents diversity with characteristic flair within her illustrations. Little Guy and his father are white, Little Pumpkin is African-American and her grandmother is white, and Little Bird and her mother are both Asian-American. Natural and unforced, Williams' choices are an accurate reflection of American society, but are noteworthy in their representation in books for this age group. Uncluttered, yet filled with movement, the splashy, vibrant paintings in gouache feature vigorous portraits and large, clearly defined objects set against a textured expanse of sweeping brushstrokes. The text appears in rainbow-hued letters within the illustrations, adding to the appealing design. Although it is a fine vehicle for toddler storytimes, the real strength of this book lies in the intimacy achieved when it is shared one-on-one between babies and adults or older siblings. A joyous expression of verbal and physical affection, these are truly love stories for our times. More, more, more..."
--School Library Journal

前言/序言

好的，下面为您呈现一本虚构图书的详细简介，该书与您提到的《More More More Said the Baby宝贝想要更多》无关。 --- 《星辰低语：失落文明的密钥》 作者：艾莉亚·凡恩 (Elysia Vance) 类型：史诗奇幻/悬疑冒险 页数：约 680 页 装帧：精装，附有手绘星图插页 --- 简介： 当世界遗忘了自己的根基，记忆的碎片便成了最强大的武器。 《星辰低语：失落文明的密钥》是一部宏大叙事、充满迷人细节的史诗级奇幻小说。它将带领读者潜入一个被时间侵蚀、由破碎的魔法和被遗忘的技术构建而成的世界——埃瑟瑞姆（Aetherium）。 故事的核心围绕着两位性格迥异的主角展开：卡利姆·维恩 (Kaelum Vane)，一位在臭名昭著的“灰烬之城”普罗克斯坦（Proxtan）底层挣扎求生的文物走私贩，他拥有罕见的“共振感知”能力，能听见古老器物中残留的“回响”；以及瑟拉菲娜·洛克伍德 (Seraphina Lockwood)，一位来自高耸入云、象征秩序与知识的“天空学院”的年轻历史学家，她痴迷于探究导致“大寂静时代”降临的禁忌历史。 世界的背景：破碎的荣光 埃瑟瑞姆大陆曾是高度发达的“源初文明”的所在地。这个文明掌握着操纵星辰能量和构建自洽空间的技术。然而，在一场被称为“回响之灾”的事件中，源初文明瞬间崩塌，世界被分裂成互相隔绝的碎片。如今，幸存者们生活在由残存的魔法科技勉强维持平衡的城邦中，对过去的辉煌一无所知，只在神话中寻找解释。 卡利姆在一次危险的走私行动中，意外地截获了一件看似普通的黄铜圆盘。这圆盘并非寻常文物，它内部蕴含着一股强大而混乱的能量脉冲，正是卡利姆能力从未触及过的“纯净回响”。这个发现立刻将他卷入了一个远超盗窃或走私的巨大阴谋之中。 命运的交织与追逐 瑟拉菲娜博士一直致力于破解“编年史残卷”中反复出现的同一符号——一个被描绘成被三颗星辰环绕的齿轮。当她追踪到那枚被卡利姆持有的圆盘时，她意识到这并非偶然。圆盘上的图案，正是传说中开启“奥秘之门”的关键组件。 两位主角的命运在普罗克斯坦的黑市深处相遇，起初充满了猜忌与冲突。卡利姆只想利用圆盘换取自由和财富，而瑟拉菲娜则不惜一切代价想要保护它免受错误的解读。 然而，追捕他们的势力远比他们想象的要复杂和阴险。“静默兄弟会”，一个根植于各个权力阶层，致力于彻底抹除源初文明所有痕迹的秘密组织，对这枚圆盘垂涎已久。他们相信，重现源初文明的力量将带来比“回响之灾”更彻底的毁灭。 探索与揭秘：深入“裂隙” 为了躲避静默兄弟会的追杀，卡利姆和瑟拉菲娜被迫结盟，踏上了一段穿越埃瑟瑞姆大陆的险峻旅程。他们的目标是前往地图上被称为“无声之地”的禁区——据信是源初文明核心区域的所在地。 小说精心描绘了旅途中的独特景观： 浮空之墟（The Aerie Ruins）： 漂浮在磁暴云层之上的古代能量站，充满了被时间扭曲的物理定律和不稳定的力场。 晶化之森（The Crystalline Weald）： 一片由快速生长的、具有感知能力的矿物构成的森林，树木的“歌声”可以迷惑心智。 深海灯塔（The Abyssal Beacon）： 一座沉入海底、散发着微弱蓝光的古代通讯塔，需要利用卡利姆的共振感知来激活其低语中的导航信息。 随着他们收集更多的碎片和知识，一个令人不安的真相逐渐浮现：源初文明并非毁灭于外部灾难，而是源于一次主动的、极度危险的实验——他们试图“同步”整个宇宙的意识流，结果却引发了灾难性的“维度撕裂”。 密钥的本质 圆盘，以及卡利姆的“共振感知”，实际上是源初文明留下的“紧急校准工具”。它不是用来开启通往辉煌过去的钥匙，而是用来封印那次实验遗留下来的、仍在缓慢侵蚀现实的“时空残响”。 静默兄弟会的目的并非保护世界，而是试图利用残响的力量，重塑一个由他们绝对控制的“新秩序”，即他们所谓的“第二次宁静”。 高潮与抉择 故事的最终高潮发生在源初文明的核心控制室——位于“无声之地”地下的“静默之厅”。卡利姆和瑟拉菲娜必须在兄弟会成员的围攻下，在残响能量达到峰值时，做出一个艰难的选择：是选择完全关闭所有源初科技，让世界永远停留在现有的、相对安全的阶段；还是冒险激活校准程序，修复时空裂缝，但有可能再次释放出失控的、超越人类理解的能量。 本书深入探讨了知识的重量、历史的不可靠性、以及个体在面对超越时代力量时的责任。它不仅仅是一场追逐战，更是一场关于如何定义“进步”与“遗忘”的哲学辩论。读者将被艾莉亚·凡恩精妙构建的世界观、复杂的人物关系以及层层递进的悬念所深深吸引，直到最后一页——那个关于星辰最终将如何低语的结局揭示。 --- 《星辰低语：失落文明的密钥》 是献给所有热爱复杂世界构建、深刻角色驱动叙事以及对古代奥秘抱有无限好奇心的读者的不二之选。准备好，抛弃你已知的历史观，踏入一个由破碎星光和低语回响构筑的史诗旅程。

评分☆☆☆☆☆

这本绘本简直是哄睡神器，我家那位小不点，平时精力旺盛得像只刚从弹簧里蹦出来的兔子，到了睡觉时间就开启“拒绝模式”，各种撒娇打滚，一刻也不想停歇。自从我发现了《More More More Said the Baby宝贝想要更多》，一切都改变了。每次翻开，那略显卡通却又充满温馨的插画，配合着重复、简单又富有节奏感的语言，就像施了魔法一样。宝宝会立刻安静下来，手指着那些活泼的形象，咿咿呀呀地回应着。尤其是“想要更多”这个梗，简直说到孩子心坎里去了，每读到这里，他都会跟着用力喊出“更多”，那种满足感和快乐溢于言表。我常常在读到最后，宝宝已经依偎在我怀里，眼皮一点点耷拉下来的时候，轻轻地在他耳边重复那句“宝贝想要更多”，看着他安详的睡颜，心里充满了无尽的爱意和成就感。这本书不仅是一本睡前故事，更像是一个连接我和孩子的亲密桥梁，在一次次的重复和拥抱中，我们分享着最纯粹的快乐。我喜欢它传递的那种简单而又直接的情感表达，让孩子明白，被爱和索取爱，都是天经地义的。

评分☆☆☆☆☆

在我看来，《More More More Said the Baby宝贝想要更多》这本书，所传递的不仅仅是一个简单的亲子互动故事，它更像是一种对情感连接的深刻探讨。书中的“宝贝”一次又一次地发出“想要更多”的信号，而回应它的，始终是毫不吝啬的爱和温暖。这种“给予”和“索取”的循环，在孩子成长的过程中至关重要。它教会孩子如何去表达自己的需求，如何去体验被爱的感觉，同时也让父母意识到，满足孩子的合理需求，是一种多么美好的体验。我最喜欢的是，这本书并没有将“更多”描绘成一种无止境的贪婪，而是一种对爱和亲密的渴望。它用最纯粹的语言和最动人的画面，诠释了这种简单而又深刻的情感。每一次读完，我都会感到一种由内而外的温暖和满足，仿佛自己也经历了一场充满爱意的洗礼。

评分☆☆☆☆☆

这是一次意料之外的惊喜，我原本只是被它简洁的封面吸引，想着给家里的宝贝添一本新书。没想到，《More More More Said the Baby宝贝想要更多》竟然能带来如此深刻的阅读体验。书中的角色设计非常讨喜，那只小小的“宝贝”仿佛就是所有孩子童真的缩影，它一次又一次地表达着“更多”的愿望，这种直白而又充满生命力的诉求，让我这个成年人都为之动容。每一次“更多”的到来，都伴随着更加热烈的互动，无论是身体上的依偎、拥抱，还是情感上的回应，都展现了一种亲密无间的美好。我特别欣赏作者在语言上的运用，那种简单句式和重复词汇的巧妙组合，既容易让年幼的孩子理解和参与，又能在反复吟唱中产生一种独特的韵律感，仿佛自带背景音乐，让整个阅读过程充满了趣味性。这本书让我重新审视了“想要”和“给予”的关系，它教会孩子勇敢地表达自己的需求，同时也提醒我们，作为父母，给予是如此自然和快乐的事情。

评分☆☆☆☆☆

从另一个角度来看，《More More More Said the Baby宝贝想要更多》这本书，简直就是对孩子成长过程中“索取”这一重要阶段的完美写照。我们都知道，孩子们天生就充满了好奇和欲望，他们渴望探索，渴望体验，渴望拥有，而“更多”这个词，恰恰是这种探索欲和拥有欲最直接的表达。这本书并没有回避这种“索取”，反而以一种非常积极和温暖的方式呈现了它。我注意到，每一次“宝贝”提出“想要更多”的时候，回应它的都是充满爱意的拥抱、亲吻和陪伴，这让我感到非常安心。它传递了一个非常重要的信息：孩子的需求是值得被关注和回应的，而且在被回应的过程中，亲子之间的联系也会得到进一步的加强。这本书的艺术风格也极具特色，那种充满力量感的线条和明亮的色彩，仿佛能点燃孩子内心的活力，让他们在阅读的同时，也能感受到一种蓬勃向上的生命力。

评分☆☆☆☆☆

不得不说，《More More More Said the Baby宝贝想要更多》这本书，在艺术表现力上达到了一个相当的高度。我反复翻阅，总能发现一些新的细节和巧思。书中的角色形象虽然简单，但却栩栩如生，尤其是那只小小的“宝贝”，它的每一个动作，每一次伸展，都充满了无穷的张力。而伴随着“想要更多”的呼唤，画面上的互动也愈发热烈，从最初的轻轻抚摸，到最后的紧紧拥抱，这种视觉上的递进感，非常巧妙地呼应了文本中的情感变化。我特别喜欢作者在色彩运用上的大胆和饱和，那些鲜艳的颜色，仿佛自带一种能够吸引孩子注意力的魔力，让他们在不知不觉中沉浸在故事的世界里。而且，这种重复的结构，在孩子的认知发展中也起到了至关重要的作用，他们可以通过反复的模仿和参与，加深对故事情节和语言的理解，同时也能建立起对阅读的自信心。

评分☆☆☆☆☆

不错，书非常的给力。下次还会再买的。

评分☆☆☆☆☆

好书，值得购买，孩子喜欢，并且能学英语

评分☆☆☆☆☆

书很棒 孩子很喜欢的

评分☆☆☆☆☆

参加活动，便宜。还囤着呢，慢慢看。

评分☆☆☆☆☆

京东很成功的把我从别处拉过来，已经入plus会员了?

评分☆☆☆☆☆

帮人买的，被黑了，好桑心～

评分☆☆☆☆☆

印刷清晰，不错，包装什么的都很好！

评分☆☆☆☆☆

帮朋友代购，表示非常满意

评分☆☆☆☆☆

非常不错，一直在京东买东西，信赖京东