More More More Said the Baby宝贝想要更多 英文原版 [平装] 下载 mobi epub pdf 电子书 2024

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Amazon.com Review
From beneath the tickles, kisses, and unfettered affection showered on them by grownups, the children in Vera B. Williams' Caldecott Honor Book cry out for "more more more!" The stars of three little love stories--toddlers with nicknames like "Little Pumpkin"--run giggling until they are scooped up by adoring adults to be swung around, kissed, and finally tucked into bed. Quirky watercolor drawings and colorful text feature multiethnic families, and young readers will rejoice in seeing the center of all the attention: the wiggly, chubby, irresistible toddlers. (Baby to preschooler)

From School Library Journal
The spontaneity and delight of play is captured perfectly in this trio of multigenerational, multiracial "love stories" about three pairs of babies and their grown-ups. Told in a natural, colloquial tone, the simple, engaging text is finely honed with a rhythm that is musical. The style is as buoyant and infectious as the actions described: "Little Guy's daddy has to run like anything just to catch that baby up." Williams carries the same basic framework and language through each story, generating the repetition that is so satisfying to very young listeners, while the stories and characters maintain their own distinctions. Just as she celebrates universality within the text, Williams presents diversity with characteristic flair within her illustrations. Little Guy and his father are white, Little Pumpkin is African-American and her grandmother is white, and Little Bird and her mother are both Asian-American. Natural and unforced, Williams' choices are an accurate reflection of American society, but are noteworthy in their representation in books for this age group. Uncluttered, yet filled with movement, the splashy, vibrant paintings in gouache feature vigorous portraits and large, clearly defined objects set against a textured expanse of sweeping brushstrokes. The text appears in rainbow-hued letters within the illustrations, adding to the appealing design. Although it is a fine vehicle for toddler storytimes, the real strength of this book lies in the intimacy achieved when it is shared one-on-one between babies and adults or older siblings. A joyous expression of verbal and physical affection, these are truly love stories for our times. More, more, more . . . --Starr LaTronica, North Berkeley Lib . , CA
Copyright 1990 Reed Business Information, Inc.

内容简介

Here are Little Guy, Little Pumpkin, and Little Bird. Their grownups love them. So will you.

作者简介

Vera B. Williams lives in New York City.

In Her Own Words...

"Throughout my childhood I was encouraged to make pictures, tell stories, act, and dance--all of this at a heaven in our New York City neighborhood called the Bronx House.

"Saturdays I painted with a crusading art director, Florence Cane. In her book The Growth of the Child Through Art, I appear under the name Linda. I was sixteen when the book appeared and embarrassed by it. But at age nine I had been totally proud when a painting of mine was exhibited at the Museum of Modern Art and I was later shown in the Movietone News explaining to Eleanor Roosevelt its Yiddish title, "Yentas."

"In 1945 I went to Black Mountain College in North Carolina, a unique educational community. I graduated in 1949 in graphic art, which I studied with Josef Albers. Along the way I planted corn, made butter, worked on the printing press, and helped to build the house in which I lived with Paul Williams, a fellow student I married there.

"I wanted that connection of art and community to continue. And it did at the Gate Hill Cooperative, a community we built with other Black Mountain people, a poet, musicians, and potters. I lived and worked there from 1953-1970 (after which I moved to Canada). My children (Sarah, Jenny, Merce) grew up there. For them, we branched out into a school, part of the Surnmerhill movement. The gingerbread houses that led to my first book for Greenwillow I first made in sticky variety at our school. I have always liked to teach and have taught art, cooking, writing, nature study, for nursery age on.

"At forty-six, no longer married, living in a houseboat on the bay at Vancouver, British Columbia, I did my first book. But before that could happen, the fates decreed a stint of cooking and running a bakery at a small school in the Ontario countryside. My love affair with Canada included also a 500-mile trip on the Yukon River. Many of those adventures I put in Three Days on a River in a Red Canoe.

"I also write and draw for adults-short stories, leaflets, and posters. As a lover of children, I try to do what I can to help save their earth from nuclear disaster. This pursuit, too, has added its excitement to my biography, including, in 1981, a month's stay in the federal penitentiary in Alderson, West Virginia (an outcome of a women's peaceful blockade of the Pentagon). Perhaps this experience will some day appear in one of my books. So far I've found children's books a wonderfully accommodating medium where any of my various activities might pop up."

内页插图

精彩书评

"The spontaneity and delight of play is captured perfectly in this trio of multigenerational, multiracial "love stories" about three pairs of babies and their grown-ups. Told in a natural, colloquial tone, the simple, engaging text is finely honed with a rhythm that is musical. The style is as buoyant and infectious as the actions described: "Little Guy's daddy has to run like anything just to catch that baby up." Williams carries the same basic framework and language through each story, generating the repetition that is so satisfying to very young listeners, while the stories and characters maintain their own distinctions. Just as she celebrates universality within the text, Williams presents diversity with characteristic flair within her illustrations. Little Guy and his father are white, Little Pumpkin is African-American and her grandmother is white, and Little Bird and her mother are both Asian-American. Natural and unforced, Williams' choices are an accurate reflection of American society, but are noteworthy in their representation in books for this age group. Uncluttered, yet filled with movement, the splashy, vibrant paintings in gouache feature vigorous portraits and large, clearly defined objects set against a textured expanse of sweeping brushstrokes. The text appears in rainbow-hued letters within the illustrations, adding to the appealing design. Although it is a fine vehicle for toddler storytimes, the real strength of this book lies in the intimacy achieved when it is shared one-on-one between babies and adults or older siblings. A joyous expression of verbal and physical affection, these are truly love stories for our times. More, more, more..."
--School Library Journal

前言/序言

More More More Said the Baby宝贝想要更多 英文原版 [平装] 下载 mobi epub pdf txt 电子书 格式

评分☆☆☆☆☆

跟风买的，有点像蜡笔画，感觉有点怪

评分☆☆☆☆☆

平装的，画面不是很清晰的感觉

评分☆☆☆☆☆

书真的不错，活动价购买。字数补丁：服务承诺：京东商城向您保证所售商品均为正品行货，京东自营商品开具机打发票或电子发票。凭质保证书及京东商城发票，可享受全国联保服务（奢侈品、钟表除外；奢侈品、钟表由京东联系保修，享受法定三包售后服务），与您亲临商场选购的商品享受相同的质量保证。京东商城还为您提供具有竞争力的商品价格和运费政策，请您放心购买！注：因厂家会在没有任何提前通知的情况下更改产品包装、产地或者一些附件，本司不能确保客户收到的货物与商城图片、产地、附件说明完全一致。只能确保为原厂正货！并且保证与当时市场上同样主流新品一致。若本商城没有及时更新，请大家谅解！ 权利声明：京东商城上的所有商品信息、客户评价、商品咨询、网友讨论等内容，是京东商城重要的经营资源，未经许可，禁止非法转载使用。 注：本站商品信息均来自于厂商，其真实性、准确性和合法性由信息拥有者（厂商）负责。本站不提供任何保证，并不承担任何法律责任。

评分☆☆☆☆☆

京东书又快又好还便宜，一定要赶上活动叠加券。

评分☆☆☆☆☆

在满减活动时候买的，各方面挺满意

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孩子2岁半，喜欢看。用了优惠券买价格也很合适

评分☆☆☆☆☆

可惜《红楼梦》没有最经典版本

评分☆☆☆☆☆

服务专业，送货及时，品质良好。

评分☆☆☆☆☆

宝宝最近不看绘本了，囤着，反正书不会过期。

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