藝術即經驗 [Art as Experience] 下載 mobi epub pdf 電子書 2024

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　　“新聞學與傳播學經典叢書·英文原版係列”，選取瞭在新聞學與傳播學曆史上具有裏程碑意義的大師經典名作。如傳播學“四大奠基人”哈羅德·拉斯韋爾、保羅·拉紮斯菲爾德等及加布裏埃爾·塔爾德、羅伯特·帕剋、哈羅德·英尼斯、馬歇爾·麥剋盧漢、庫爾特·盧因、卡爾·霍夫蘭等這些學界耳熟能詳的名傢佳作。這些是傳播學與新聞學的奠基之作，也是現代新聞學與傳播學發展的基礎。許多名作都多次再版，影響深遠，曆久不衰，成為新聞學與傳播學的經典。此套叢書采用英文原版齣版，使讀者讀到原汁原味的著作。
　　隨著中國高等教育教學改革的推進，廣大師生已不滿足於僅僅閱讀國外圖書的翻譯版，他們迫切希望能讀到原汁原味的原版圖書，希望能采用國外英文原版圖書進行教學，從而保證所講授的知識體係的完整性、係統性、科學性和文字描繪的準確性。此套叢書的齣版便是滿足瞭這種需求。亦可使學生在專業技術方麵盡快掌握本學科相應的外語詞匯和瞭解先進國傢的學術發展的方嚮。
　　本係列叢書在原汁原味地引進英文原版圖書的同時，將目錄譯為中文，作為對原版的一種導讀，供讀者閱讀時參考。本係列叢書有些因為齣版年代比較久遠，也囿於當時印刷水平的限製，有些地方可能與現在的標準不太一緻，在不影響讀者閱讀的前提下，我們未對其進行處理，以保證英文原版圖書的原汁原味。

內頁插圖

目錄

序言
第一章 活的生物
第二章 活的生物和“以太物”
第三章 擁有一個經驗
第四章 錶現的動作
第五章 錶現性對象
第六章 實質與形式
第七章 形式的自然史
第八章 能量的組織
第九章 各門藝術的共同實質
第十章 各門藝術的不同實質
第十一章 人的貢獻
第十二章 對哲學的挑戰
第十三章 批評與知覺
第十四章 藝術與文明
索引

前言/序言

　　In the winter and spring of 1931， I was invited to give a series of ten lectures at Harvard University. The subject chosen was the Philosophy of Art; the lectures are the origin of the present volume. The Lectureship was founded in memory of William James and I esteem it a great honor to have this book associated even indirectly with his distinguished name. It is a pleasure， also， to recall， in connection with the lectures， the unvarying kindness and hospitality of my colleagues in the department of philosophy at Harvard.
　　I am somewhat embarrassed in an effort to acknowledge indebtedness to other writers on the subject. Some aspects of it may be inferred from authors mentioned or quoted in the text. I have read on the subject for many years， however， more or less widely in English literature， somewhat less in French and still less in German， and I have absorbed much from sources which I cannot now directly recall. Moreover， my obligations to a number of writers are much greater than might be gathered from allusions to them in the volume itself.
　　My indebtedness to those who have helped me directly can be more easily stated. Drjoseph Ratner gave me a number of valuable references. Dr. Meyer Schapiro was good enough to read the twelfth and thirteenth chapters and to make suggestions which I have freely adopted. Irwin Edman read a large part of the book in manuscript and I owe much to his suggestions and criticism. Sidney Hook read many of the chapters， and their present form is largely the result of discussions with him， this statement is especially true of the chapters on criticism and the last chapter， My greatest indebtedness is to Dr. A. C. Barnes. The chapters have been gone over one by one with him， and yet what I owe to his comments and suggestions on this account is but a small measure of my debt. I have had the benefit of conversations with him through a period of years， many of which occurred in the presence of the unrivaled collection of pictures he has assembled. The influence of these conversations， together with that of his books， has been a chief factor in shaping my own thinking about the philosophy of esthetics. Whatever is sound in this volume is due more than I can say to the great educational work carried on in the Barnes Foundation. That work is of a pioneer quality comparable to the best that has been done in any field during the present generation， that of science not excepted. I should be glad to think of this volume as one phase of the widespread influence the Foundation is exercising.
　　I am indebted to the Barnes Foundation for permission to reproduce a number of illustrations and to Barbara and Willard Morgan for the photographs from which the reproductions were made.
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